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   August 20, 2009  
       
   
     
 
 
FEATURED NEW RELEASES
The xx (Exclusive CD Advance)
Farmer Dave Scher
The Esso Trinidad Steel Drum Band
The Antlers
Jay Reatard
Kath Bloom & Loren Connors
Kompakt Total 10 (Various Artists)
The Cave Singers
The 39 Clocks
 

Wildbirds & Peacedrums
Psicofasicos De Bolivia (Various Artists)

ALSO AVAILABLE:
Lokai
David Daniell and Doug McCombs
Amanda Blank
Jack Penate
Yo La Tengo (Buy Early Get Now)

All of this week's new arrivals.

Follow us on Twitter: http://twitter.com/othermusic

 
         
   
   
   
   
   
       
   
 
 
AUG Sun 16 Mon 17 Tues 18 Wed 19 Thurs 20 Fri 21 Sat 22



  THE GIRLS GUIDE TO ROCKING SUMMER BLOW OUT WITH THESE ARE POWERS
Celebrating feminist art in all its funnest and finest forms, BUST magazine is hosing a summer blow out BBQ at Littlefield this Saturday featuring a special guest reading by Jessica Hopper from her new book, The Girls Guide to Rocking, and live sets from Brooklyn noise-niks These Are Powers, MNDR, Katie Stelmanis and the Ghost Bees, and DJ sets by MNDR and Strength in Numbers! Enter to win a pair of passes by emailing giveaway@othermusic.com. We'll notify two winners on Friday, August 21.

SATURDAY, AUGUST 22 - 5PM DOORS
LITTLEFIELD: 622 Degraw Street (Between 4th & 5th Avenue) Brooklyn



 
   
   
 
 
AUG Sun 23 Mon 24 Tues 25 Wed 26 Thurs 27 Fri 28 Sat 29
AUG Sun 30 Mon 31 Tues 01 Wed 02 Thurs 03 Fri 04 Sat 05



  WIN TICKETS TO EMILY KAYE LIBERIS' "BE THE DOG"
Other Music can not live on music alone, so we are excited to offer up two pairs of tickets for a different sort of cultural event, the stage debut of Emily Kaye Liberis' Be the Dog, a new comedic play based on Dave Eggers How We Are Hungry. A hilarious fable full of dogs, fish, hookers, firefighters, and good friends, about running fast, taking life's big leaps, and finding the bliss along the way. Performances are August 26-30 right around the corner from us at the Robert Moss Theater, as part of the New York Fringe Festival. Tickets available at FringeNYC.org. The two winners can choose between one of these showings: 8/26 @ 9:45 pm, 8/28 @ 4:15 pm, 8/29 @ 10pm & 8/30 @ noon. Enter by emailing tickets@othermusic.com, and please list which of the above dates you'd like to see in the body of your email.

ROBERT MOSS THEATER: 440 Lafayette NYC
Go to nonamenyc.ning.com for more information about the After Party on August 27th. Also, meet the cast and crew @ Indochine (430 Lafayette) at 7:30 on 8/26 (before the 9:45 show) and enter to win a Tina Tang dog-charm necklace.




 
   
   
 
 
SEP Sun 30 Mon 31 Tues 01 Wed 02 Thurs 03 Fri 04 Sat 05



  OTHER MUSIC PRESENTS: TAKEN BY TREES LISTENING PARTY
Kick off your Labor Day Weekend with us at Stanton Public on Thursday, September 3rd, where we'll be celebrating the upcoming release of the new Taken By Trees full-length, East of Eden, out on Rough Trade Records on September 8th. While Victoria Bergsman won't be able to join us again for this party, we've still got lots of great treats in store, including a full spin of the new album from 9 to 10PM and never-before-seen music videos, plus guest DJs and drink specials. Stay tuned for more details!

THURSDAY, SEPTEMBER 3
STANTON PUBLIC: 16 Stanton Street (btwn Bowery and Chrystie)
No Cover / Ages 21+ with ID



 
   
   
   
   
   
       
   

 

 

     
 

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  THE XX
xx
(Young Turks/XL)

"VCR"
"Heart Skipped a Beat"

Other Music Exclusive CD Advance Release! The xx are the latest bunch of young hopefuls with cool synthesizers to emerge from the dark heart of East London. This alone would generally be enough to fatigue me from further investigation, but happily, something else is at work here. It's hard to put a finger on why this stuff works so well, seeing as it implements many of the same moves that have been used to worse effect (and great commercial success) by so many young bands of the very recent past. Keeping with the spirit of modern British music, the twin pillars of soul and dance music are never far from the lab, specifically, modern R&B and, to a lesser extent, dubstep. While the now standard set-up of guitar/bass/synth-drum-programming recalls bands like Hot Chip, the Blow, and Junior Boys, these kids bypass the winking, faux-sexy schtick that makes their counterparts an immediate, if more fleeting crush. Instead, the xx-ers employ a disarmingly basic he-said/she-said vocal interplay, recalling a less jaded Hazlewood/Sinatra, that somehow fails to wear thin over the course of an album. Accredit it to the refreshingly basic approach taken here: short songs, straightforward arrangements, and good old fashioned melodic sensibilities that stick around just long enough to get stuck in your craw before the next one hits. It's a very basic formula, but one that so often goes horribly wrong as a result of trying too hard to dazzle with drama, bombast, and technical gear-hounding. Thankfully, the xx possess a directness and lack of posturing that generally eludes the best of us in our formative years. A blast of fresh air in a genre that's starting to feel like a caved-in mine shaft. [JTr]
 
         
   
   

 

 

     
 

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  FARMER DAVE SCHER
Flash Forward to the Good Time
(Kemado)

"You Pick Me Up"
"We Have a Way"

This is a surprise and a real treat, one of the best pop records we've come across in a handful of years. Arthur Magazine readers may be familiar with the writings of Farmer Dave Scher, and even more of you may remember his participation in both Beachwood Sparks and the criminally underrated All Night Radio. After an extended hiatus, he's returned to the world of music with a solo album of pure, sun-dappled West Coast pop groove, with his head stuck in the AM pop classics of the early '70s, a foot in a patch of relentless optimism, and both hands in a sticky-sweet pot of unabashed joy. Fans of ELO, Wings, Olivia Tremor Control, Jellyfish, Motown (seriously, check out "We Have a Way"), the outdoors, the ocean, picnics, and good times with good company, sign up here -- this is without question one of the major releases of 2009, a grand statement by a song-stylist to watch, which will hang around in your blissed-out mind long after the record has stopped spinning. [DM]
 
         
   
   

 

 

     
 

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  ESSO TRINIDAD STEEL BAND
Van Dyke Parks Presents
(Bananastan)

"I Want You Back"
"Cecilla"

Summer Jam Alert! Just last week, I sung the praises of the Mighty Sparrow's Hot & Sweet album, produced by Van Dyke Parks and featuring some of the best tropical funk jams you're likely to hear all year. That release made me long for a high-quality reissue of this equally fine album by the Esso Trinidad Steel Band, and some might have laughed at my idle dreaming; yet here it is in a deluxe package on the same label (that'd be Bananastan, which looks to be a new Calypso/West Indian-oriented operation run by none other than Parks himself)!

Produced in 1971 by Parks and originally released by Warner Brothers, this album showcases the extraordinary talents of 23 steel pan players conjuring dense, swinging soundscapes that seem to be made out of pure light. The band work their magic on tunes by the Kinks, the Jackson 5, and even Simon & Garfunkel, as well as a few classic calypsos, classical pieces, and a new tune by Parks. The music is as dizzyingly intricate as that of any classical ensemble, yet the band grooves, swings, and bounces with the precision of a machine. Their covers of tunes like "Apeman" and "Cecilia" are instantly recognizable yet exotic, and their stunning version of "I Want You Back" has been a DJ staple of mine for years -- to hear a dozen or so panmen sing the song in unison as the layers of pan drumming swirl around them is startlingly beautiful.

This deluxe edition also includes, for the first time, a DVD of the 1971 documentary film by Parks and Bud Smith about the Esso Band; it's an excellent slice of life on the road during the group's US tour from that year, with interviews and a number of tight, intense performances everywhere from beachy carnivals to the snowy Midwest. This record holds a special place in my heart; even among the dozens of steel band records I own, it's a truly special jewel. The film is just icing on the cake for a reissue that is long overdue for discovery. As Parks states in the liner notes, "This ain't your Jimmy Buffet Banana Republic, it's Fellini with bikinis!" Well said, absolutely stunning and most highly recommended. [IQ]
 
         
   
   
   
   

 

 

     
 

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  THE ANTLERS
Hospice
(Frenchkiss Records)

Preview Songs on Other Music's Download Store

It was only back in March that we first brought in the Antlers' then self-released album, Hospice, on consignment. We loved the record here at the shop and so did our customers -- the album sat in our top sellers charts for several weeks. We weren't the only ones; word of mouth quickly spread about this truly stunning record over the Internet (and NPR). And the band never rested on their laurels, constantly performing locally and booking DIY tours across the country. So it's not surprising that Hospice would finally get a proper release on Frenchkiss Records, and we can only imagine that the Antlers will soon be a household name. This is what we wrote earlier this year when we featured the album in our Update.

There is a story behind this record -- a painful, slow-moving thunderstorm of a story that is so deeply personal, so close to the heart of a young man named Peter Silberman, that he couldn't keep it in any longer. He had to share it to keep from drowning in the emotion, so he cast this lifeline to the world. He had to write these songs, his fragile voice suggesting that he sings because he can barely speak, maybe because he is too beat-down tired, or maybe because he just doesn't know what to say anymore. I don't really know what the story is, the details of Silberman's pain. There is a friend dying in a hospital bed and there is love and loss, but I don't want to know all the cold facts; my guess is that soon enough I won't be able to escape the boring minutia in every blog post and magazine article about Silberman's lengthy ordeal, and the deeply moving, timeless classic of an album that came out of it.

Soon enough I imagine the details will be everywhere, because from the blunt stone of heartache that was Peter Silberman's, he has chiseled one of the finest albums we've heard in some time, and Hospice marks the coming of age of a wonderful artist. Antlers, originally a solo project, has released a handful of EPs and one album previously, and their once upbeat dream-pop echoes in the pages of Hospice, but Silberman, now with a proper band behind him, has crafted something different here that lives in its own space. Some comparisons are obvious, and fans of Sigur Ros, Antony, and Jeff Buckley will all surely sit up and take notice. Silberman's singing shares the intimate falsetto that all three employ, but even in his lower register, somewhere between a whisper and breathy tenor, you feel the need to lean in close. And the music the group wraps around that voice is both hazy and intricate, full of crackle and hum, piano and string and horn arrangements making the record swell with classic beauty while it pulses and pops to a different beat.

Silberman's vocals dip in and out of the trebly, hallucinogenic sounds, never sure if he is being cradled by the music, or bobbing for air, but there is poetry and poise in these songs, and while they were conceived in loneliness, they will not end their days that way. Hospice is the story of a young man who feels too young, too old, and simply too much, and Antlers have harnessed that pain as only true art can. [JM]
 
         
   
   

 

 

     
 

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  JAY REATARD
Watch Me Fall
(Matador)

"It Ain't Gonna Save Me"
"Wounded"

It's been three long years since Jay Reatard released his stunning, frenetic, and much-hyped solo debut Blood Visions, followed by a steady stream of ever-more-limited 7"s released last year. For a performer who has thrived on chaos and controversy, there was no telling how he would follow it all up, especially with the high-profile move to Matador Records. Reatard has chosen a difficult path, allowing himself to grow and change in front of his fans, and the results justify any backlash he may encounter. Mining a more traditional pop framework, and a wider range of influences (none of which bear down on themselves as furiously as they had on past efforts), Reatard and his band open their hearts to the prime of Australian and New Zealand singer-songwriters, from the Go-Betweens to Neil Finn to the Clean, as well as some proto-grunge hooks a la Dinosaur Jr. or the Meat Puppets, and fuse it with previously-explored Adverts/Adam Ant skeletal glam-punk, coming up a winner throughout. Watch Me Fall may not be the ballistic punk album you had hoped Reatard would make, but its more introspective sound is a great outlet for a great pop songwriter, a bright, mostly cheery affair that leaves twelve new craters stuck in your head where some of your favorite songs used to reside ... because you've got twelve new ones, and they're all on this album. The sun is finally out, time to celebrate. [DM]
 
         
   
   

 

 

     
 

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  KATH BLOOM & LOREN CONNORS
Sing the Children Over / Sand in My Shoe
(Chapter Music)

Preview Songs on Other Music's Download Store

Most of us don't think of Connecticut in the early 80s as fertile ground for outsider folk music, but that's exactly when and where Kath Bloom and Loren Connors recorded their totally indispensable and timeless LPs Sing the Children Over and Sand in My Shoe (and a few other great ones, too). Some of the songs from these records were included on the long out-of-print 1981-1984 compilation, but as far as I know this is the first time any of their impossibly rare collaborative albums have been reissued on CD in their entirety. Sing the Children Over, from 1982, is comprised mostly of traditional songs ("Nobody's Fault But Mine," a shockingly great version of "I've Been Working on the Railroad," et cetera) whereas Sand in My Shoe was composed entirely by Bloom. Her voice is almost supernaturally beautiful, a wavering soprano with hints of Karen Dalton and the soulfulness of Billie Holiday or Nina Simone. Bloom accompanies herself on finger-picked guitar, while Connors' amazingly fluid acoustic lead guitar playing almost fills the role of a second singer, dueting with her. Their unique pairing proved to be too experimental for the folkies and too traditional for the avant-garde, and still remains polarizing to some degree. I was totally shocked to find a review of this reissue that described Connors' guitar playing on the albums as "terribly obvious" and "ham-fisted." But to my ears the music that Bloom and Connors made together is nothing short of magical. In the years since they first began to collaborate they've each become legends in their own right, but for my money these records are by far the best thing either of them has ever done, and I couldn't possibly recommend them highly enough. [RH]
 
         
   
   

 

 

     
 

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  VARIOUS ARTISTS
Kompakt Total 10
(Kompakt)

"40 Love" DJ Koze
"No Turning Back" Gui Boratto

During one of my own recent DJ sets, I treated myself (and the crowd) to an early "screening" of Kompakt Total 10 in the way it was meant to be heard, cranked through a club system. I went back and forth, mixing a track from disc 1 into disc 2 and then back again, and had a chance to hear the collection for the first time in a setting that really let me completely immerse myself in the music. It's a tough test for any techno compilation, maybe more so for a label comp, and believe me, if this thing was full of brainless, clubbed-out minimal trance I wouldn't have made it past two or three cuts before giving up.

Instead I was treated to two CDs worth of high-quality, relatively deep pop-techno -- not '80s techno-pop, but rather melodic, pop-infused club tracks. Old-school German house heads, myself included, will dig on the deep Ladomat feel running through a lot of this comp -- see all contributions from J. Kohncke, M. Aguayo, the Field (Fehlmann rmx), Ada and Gui Borrato for proof. Fans of Michael Mayer's first Immer mix will fan-out to the blissful, Phantom Ghost "Imperfect Lovers"-vibe of Borrato's "No Turning Back (rmx)." The excellent Total series continues to meld current, almost up-to-the-minute musical trends into a club setting in a way that comes out winning in the end. Even some of the lo-fi digital psychedelia of today's indie scene, as well as a few welcome snatches of disco, make it onto Total 10, without sounding tired or borrowed, but in a fresh, contemporary "Kompakt" way.

And to boot, both CDs delve into some original Kompakt flavor with Jurgen Paape's green overall-clad, oom-pah techno jammer "Ofterschwang," the grinding "Who Is Who" by Jonas Bering and the looping, chiming club-schlager vibe of Wasserman's "Berg Und Tal." This may be the stuff that has inspired some reviewers to label Total 10 as "weird." Maybe it's worth reminding everyone that despite Kompakt's current success and ubiquity, a big part of what made the label what it is today is that from the onset (and with exceptional consistency for a label celebrating a 10-year existence!), they have offered high-quality alternatives to the status quo. May they continue to do so! Recommended! [SM]
 
         
   
   

 

 

     
 

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$17.99 LP w/MP3

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  THE CAVE SINGERS
Welcome Joy
(Matador)

"Beach House"
"Summer Light"

Locked inside of the new Cave Singers record are all of the tenets and carved-in-bark rules of Appalachian-soaked song-smithery. The insistent shuffle of brushes on a snare drum feels like a freight train laying tracks toward the setting sun. The twang and bend of an electric guitar sounds like the howl of something dark and fierce that prowls the high hills in the night. Bass tones wash over your feet straight up from the chilly Okkervil River. Vocalist Peter Quirk's whiskey whisper-growl preaches up to the surface world from the darkest bend in a coal mine. Mountains and beer cans play a key role in the lyrics. For steady-as-she-goes electrified folk songs, these ten gorgeous recordings don't stray far from Cripple Creek, and won't seem as weirdly alien and authentic as the songs from that other bearded folk band from Seattle (rhymes with Beat Boxes, stole your heart for about a year, made you try to harmonize in every band you were in, remember?). After the fuck-your-head emo awesomeness of Pretty Girls Make Graves (guitarist Derek Fudesco's previous band), anything that guy does is going to pale for me, but this group's inventive melodies pay homage to the Allman Brothers without, you know, being them, and their touches of gentle wit make this record soothing, sweet, and punchy enough for many, many repeat listens. They've barely updated the sound of their great debut, but music this timeless and pure does not thrive on innovation, and that's its crowning glory. [MS]
 
         
   
   

 

 

     
 

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  THE 39 CLOCKS
Pain It Dark
(Bureau B)

"Shake the Hippie"
"Out of Sight"

Hot on the heels of the wonderful 39 Clocks compilation, Zoned, comes this CD reissue of the band's 1981 debut album, Pain It Dark. The Clocks were a couple of dudes from Hanover who were obsessed with British and American bands from the 60s and made music that had far more in common with primitive, Velvets-influenced post-punk groups like Swell Maps and Young Marble Giants than with any of their Neue Deutsche Welle contemporaries. And as we said in our review of the compilation a few months back, they were definitely traversing a similar path to the one Spacemen 3 would go down just a few years later. Four of the best songs from Zoned were taken from Pain It Dark, including "Shake the Hippie," "DNS" and the fantastic "78 Solider Dead," which sounds something like Suicide covering "Sweet Jane." The rest of the album is in keeping with those tracks; it's full of droning two- or three-chord rock and roll jams with great organ and drum machine accompaniment, sung in practically indecipherable English, and with a couple of sax solos that call to mind the Stooges' "Fun House." Needless to say, the 39 Clocks are an amazing revelation and this album is an indisputable masterpiece of German underground music. The reissue includes a previously unreleased feedback-laden recording from a 1978 rehearsal, as well as great liner notes written by Zickzack Records founder Alfred Hilsberg, who still regrets that the band refused to sign with his label. [RH]
 
         
   
   

 

 

     
 

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  WILDBIRDS & PEACEDRUMS
The Snake
(TCG)

"My Heart"
"Chain of Steel"

Swedish duo Wildbirds & Peacedrums have made a name for themselves over the past couple of years by trafficking in a powerfully maximalist expression of some exceedingly minimal instrumentation. Comprised of husband and wife Andreas and Mariam Werliin, the pair builds surprisingly affecting pop songs out of drums and vocals, oft-unadorned save for a touch of reverb and a tiny bit of additional instrumentation scattered here and there. Following up on the promise of their beguiling debut Heartcore, the pair returns now with The Snake, a batch of ten new songs that showcase the group's remarkable poise and focus, and a seemingly innate ability to shape words and rhythms into surprising new creations.

As the voice of Wildbirds & Peacedrums, Mariam Werliin holds the stage with a varied approach, from distant and forlorn on tracks like "Great Lines," to the otherworldly hiccups and forceful croons of "Places." Better still is a piece like "So Soft So Pink," as her aching words carry across a slow-burning ballad. Mariam is the obvious focal point, but Andreas Werlin's drumming is both subtle and complex, intricately pounding rhythms that form a steady backbone for each track. Capable of ripping through deft poly-rhythms on songs like "There Is No Light," or keeping the reigns tight with more restrained performances like "My Heart," Andreas supplies the pulse that allows Mariam's soulful voice to take flight. At times, The Snake almost strikes me as what I had hoped Bjork's collaboration with Lightning Bolt's Brian Chippendale would sound like, or some lost Edith Piaf session with a rhythm section strong enough to power a freight train. [MC]
 
         
   
   

 

 

     
 

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  VARIOUS ARTISTS
Psicofasicos De Bolivia
(Condor)

"Pena" The Blackbones
"Virgenes Del Sol" Los Benny Boy’s Hot’s

There has been an unbelievable wealth of international garage/psych rock reissues this year -- two volumes of Cazumbi's African garage rock, the Algerian 1970's Proto-Rai comp, Raks Raks Raks' document of the 60s Iranian scene, not to mention reissues by the Beat Boys, Chrissy Zebby Tembo, and the Peace, among others... it's looking good in the raucous global rock'n'roll community. Well, you can add Bolivia to the United Nations of Rad Psych Comps with Psicofasicos De Bolivia, a sweet collection of 60s psych, go-go, and funky garage rompers. Fuzzed-out guitars, lots of groovy organ, and more teen angst than you can fit in a detention hall -- all of the key ingredients for an all killer, no filler platter of fuzzy delights. [IQ]
 
         
   
       
   

 

 

     
 

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  LOKAI
Transition
(Thrill Jockey)

Preview Songs on Other Music's Download Store

Florian Kmet and Stefan NĂ©meth reunite four years after their scratchy, clangy debut album, 7 Million, to offer us another weirdly engaging foray into tonal improvisation. Using found sound objects like the body of an acoustic guitar, metal trinkets and the percussive qualities of a central heating system, the duo successfully crafts a sonic portrait of their own transitional musical development, from 7 Million's sparse spread to Transition's lush fullness.
 
         
   
   

 

 

     
 

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  DAVID DANIELL & DOUG MCCOMBS
Sycamore
(Thrill Jockey)

Preview Songs on Other Music's Download Store

The first album from this pioneering pairing is a kaleidoscope of electric, acoustic, and lap steel guitar virtuosity and tone, assembled into a heady, not entirely linear pastiche of sounds culled from seven-and-a-half hours of improvisational live recordings. At times wildly anarchic, at times brutal, and others serene, this record is a testament to the power of razor-sharp editing and the loftiest production work.
 
         
   
   

 

 

     
 

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  AMANDA BLANK
I Love You
(Downtown)

After more delays than the Schuylkill Expressway, Philly rapper Amanda Blank's debut full-length finally drops, and as with most hyper-hyped wordsmiths, it's a mixed bag that almost lives up to her much-loved guest appearances over the past few years. Optimo and Switch are all over the beats, pal Spank Rock hangs out for a bit, but to her credit it's Blank's sexed-up self who rules the roost.
 
         
   
   

 

 

     
 

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  JACK PENATE
Everything Is New
(XL)

"Be the One"

The young "British blue-eyed soul singer" Jack Penate has taken a step away from that confining descriptor on his eclectic new album, Everything Is New. On paper this may not work, but on record, when the gruff belter adds a touch of dance-floor bounce to his rhythms, or an Afro-pop shimmer, or a tropicalia glimmer to his production, he does it with a joy and taste that works remarkably well, and gives depth and personality to an adopted style that often strives for that, but rarely achieves.
 
         
   
   

 

 

     
 

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  BUY EARLY GET NOW: YO LA TENGO
Yo La Tengo's forthcoming album, Popular Songs, gets the Buy Early Get Now treatment! In addition to the CD or double LP, customers who pre-order the album will also receive:

July 27 - Album stream goes live
August 18 - First Bonus MP3
September 1 - Second Bonus MP3
September 8 - CD or 2xLP will be shipped to arrive at your door on or before the September 8 release date, along with the exclusive live LP of the Adventureland soundtrack and a bonus poster.

Questions? Email: orders@othermusic.com

 
         
   
   
   
   
 
   
       
   
         
  All of this week's new arrivals.

Previous Other Music Updates.

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THIS WEEK'S CONTRIBUTORS

[MC] Michael Crumsho
[RH] Rob Hatch-Miller
[IQ] Mikey IQ Jones
[JM] Josh Madell
[DM] Doug Mosurock
[SM] Scott Mou
[JTr] Jonathan Treneff
[MS] Michael Stasiak








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- all of us at Other Music

 
         
   
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