Having trouble viewing this email? Go to othermusic.com/2012may24update.html

   
   May 24, 2012  
       
   
     
 
 
FEATURED NEW RELEASES
Carter Tutti Void
Burial (Street Halo/Kindred EPs on CD)
Mohn
El-P
Apache Dropout
Baris Manco
Ursprung
Joey Ramone
Up All Night! (Various Artists)
Pigon 12"
Special Request 12"
Pepe Bradock 12"
Lungfish
 

ALSO AVAILABLE
Swans
Violens
Geoff Barrow & Ben Salisbury
Fela Kuti & Egypt 80
JBM
Shannon Stephens
The Cribs

BACK IN STOCK & ON VINYL
Cornershop
Spiritualized


All of this week's new arrivals.
Follow us on Facebook: facebook.com/othermusicnyc
Follow us on Twitter: twitter.com/othermusic

 
         
   
   
   
   
   
       
   
 
 
MAY Sun 27 Mon 28 Tues 29 Wed 30 Thurs 31 Fri 01 Sat 02

  WIN TICKETS TO APPARAT
For years Apparat, a/k/a Sascha Ring, has been a celebrated electronic music producer, with a solid discography of albums and remixes, and collaborations with the likes of Ellen Allien and Modeselektor. Last October marked a new era for Apparat with the release of The Devil's Walk, an album that found him venturing far from the dance floor, offering evocative, organic songs intricately arranged with strings, guitar, piano and understated vocals augmenting his electronic soundscapes. Next Thursday, Apparat will be performing with a full band in New York at the Gramercy Theatre, and Other Music has three pairs of tickets to give away. Email tickets@othermusic.com to enter and we'll notify the winners on Tuesday.

THURSDAY, May 31
GRAMERCY THEATRE: 127 E. 23rd St. NYC



     
 
   
   
 
 
JUN Sun 10 Mon 11 Tues 12 Wed 13 Thurs 14 Fri 15 Sat 16

  OTHER MUSIC RECORDING CO. SHOWCASE AT NORTHSIDE FESTIVAL, 2012
Our new Other Music Recording Co. imprint is throwing its first live music showcase at Union Pool on Thursday, June 14, as part of Brooklyn's Northside Festival. We couldn't be more excited about our line-up, which features Ex Cops, whose debut single also happens to be the inaugural release on our label with an album coming out later this year, and Nude Beach, whose full-length, II, will be getting an official release August 14 on Other, as well as our favorite Jersey bar punks the Everymen, and a surprise special guest. We'll be listing more details in our update and on our Facebook invite, so stay tuned and save the date.

THURSDAY, JUNE 14
UNION POOL: 484 Union Ave. Williamsburg, BKLN

     
 
   
   
 
 
JUN Sun 17 Mon 18 Tues 19 Wed 20 Thurs 21 Fri 22 Sat 23





  DOGFISH ANALOG-A-GO-GO WEEKEND
Dogfish Head Craft Brewery are throwing their second annual Analog-A-Go-Go Friday and Saturday, June 22 & 23! Once again there's an awesome line up of artisans on board selling vintage clothing, handcrafted jewelry, sustainably harvested cedar surfboards, and lots of vinyl records for music lovers of all types. In fact, if you stop by on Saturday (June 23), you'll recognize a few of our faces, as Other Music will be bringing a nice big selection of LPs for you to dig through on that day. There are also two great music events happening on both nights: on Friday, June 22, the Fleshtones with Steve Wynn and the Miracle 3 will be playing at the Rehoboth Beach brewpub at 10 p.m. Then, the following evening, Bonnie 'Prince' Billy will be performing a very intimate show in the brewpub! (As of press, there are only a few Bonnie 'Prince' tickets remaining.) Throughout the weekend, Dogfish will keep their off-centered ales flowing and Bethany Blues will have the smoker cooking up some delicious BBQ. $10 tickets are available here, and with that you get a keepsake mini English pint glass, a beer log (guiding you to 10 tasty brews), a chance to win a case of Positive Contact, treehouse tours, brewery tours and a solid good time. Other Music is giving away two pairs of Analog-A-Go-Go passes and you can enter by emailing giveaway@othermusic.com. (Please note: this does not include tickets to the Fleshtones or Bonnie 'Prince' Billy shows.)

FRIDAY/SATURDAY, JUNE 22 & 23, 11AM-5PM
DOGFISH HEAD CRAFT BREWERY: #6 Cannery Village Center, Milton, DE

     
 
   
   
   
   
   
       
   

 

 

     
 

$15.99
CD

Buy

$17.99 LP+MP3
180 Gram

Buy

  CARTER TUTTI VOID
Transverse
(Mute)

"V3"
"V2"

When we heard the Chris Carter mix on the TG remix LP back in 2000-whatever, we were reminded that Carter had to be one of the most un-flappable electronic producers on the planet. We don't usually get the privilege of hearing groundbreaking producers make fresh and on-point tracks 30-plus years after they helped create entire genres of music (namely industrial and acid house). Well, with Carter Tutti Void's Transverse we get to hear the dynamic duo (aided by Factory Floor's Void) impress our pants off one more time! To put it plainly, these tracks display a deep, dark and stark analog techno sound that is incredibly on point and done right. The sound is shockingly similar to the earliest EBM/techno hybrid masterpieces released by Traversable Wormhole (include Emptyset, Pom Pom and recent Blackest Ever Black style Regis too), but with a more subdued sound that is at times imbued with that trademark ethno-opium-orgy vibe that Chris and Cosey always managed to weave into things -- you know exactly what I'm talking about too! The other crazy thing is to hear these ultra-deep, gray, streamlined humming and pummeling industrial warehouse techno tracks (with just the right amount of treated vocals and guitar-sourced noise) come to an end and then hear applause... holy mackerel, this stuff is all LIVE???!!! You'd never know it without the clapping and whistling at the end, let me tell you! Great, great, great! [SM]
 
         
   
   

 

 

     
 

$19.99
CD

Buy

  BURIAL
Street Halo & Kindred EPs
(Hyperdub)

A CD release combining two dark masterpiece 12" EPs from Burial. Kindred, from a few months ago, finds the British producer subtly shifting the scope and tempo from his earlier records, but Burial's music is such that even slight changes often feel like bold leaps. Here, clanking, metallic sounds are still churning, yet seem to be moving faster than before, finding his beats more in line with slower drum-n-bass than dubstep proper on the title track, or nodding to 4/4 structured house on "Loner." Vocal samples pulled from cell phones, films, and who knows where, loop, accent, and narrate the crumbling and rolling rhythms, filled with grimy textures, lots of beat drop outs, lonesome synth washes, and deep bass. The equally excellent Street Halo, from 2011, comes across like a haunted automotive factory churning away through the night. My favorite of this EP's three slices of urban futurism is the track "NYC;" on this cut his standard tempo is slowed down or maybe broken in half, giving a glimpse of what his take on hip-hop might sound like. Burial is without a doubt one of the best electronic producers around, and this disc proves why he's so well loved and sought out by his peers as a collaborator, remixer and producer. For fans of Actress, Zomby, Demdike Stare -- hell, you dudes probably already have it -- and if you're at all curious, this is a great place to start. [DG]
 
         
   
   

 

 

     
 

$15.99
CD

Buy

$27.99 LPx2+CD

Buy

$9.99 MP3

Buy

  MOHN
Mohn
(Kompakt)

"Ambientôt"
"Ebertplatz 2020"

When you consider the body of work created by Jörg Burger and Wolfgang Voigt over the years, it can be quite intimidating; some of Jörg's best-known projects include the Bionaut, the Modernist and Triola, and Wolfgang Voigt is responsible for Gas, Mike Ink, and so many more that it would be silly to try to list them all. Voigt also started the Kompakt label, which over the last decade or so has released some of the most compelling records that might fall under the umbrella term of techno. While I consider myself a fan of both artists, only the hardest of the hardcore fans could attempt to collect, let alone digest, all of their body of work. But I do have a simple rule of thumb that I have employed since hearing them together on the Burger/Ink classic [Las Vegas]: when the two of them make a record together, I pay attention. Immediately.

It is a good plan too because to my ears these two work so well together and seem to push each other's signature sounds into areas that they might not have gone themselves. I don't know if that means specifically adding a more melodic undercurrent to the creeping Gas-esque drone of "Das Feld" or keeping the melodic repetition of "Seqtor 88" tightly focused and on track, but that is the way I hear it. While I've only had the album for about a week I've already logged multiple listens and it just feels right whenever I put it on. What more could you ask for in a record? [DMa]

 
         
   
   

 

 

     
 

$13.99
CD

Buy

  EL-P
Cancer 4 Cure
(Fat Possum)

"Works Every Time"
"Tougher Colder Killer"

MC/producer Jaime "El-P" Meline is an indie hip-hop icon, known for his former group, Company Flow, the legendary label he founded, Definitive Jux (now on hiatus), and his dense and undeniably New York solo albums. Through the years, El-P has become the kind of producer you instantly can recognize, and with his work for Mr. Lif, Aesop Rock, Cannibal Ox and others he has crafted numerous tracks and albums that deserve to be called "classic." From his most recent production on Killer Mike's R.A.P. Music it's evident that he still has the skills to create some of the genre's most original soundtracks. No longer an up-n-comer, El-P is still an underdog, hip-hop's Unabomber, choosing to only release albums when he truly has something to say. With this new full-length, Cancer 4 Cure, on Fat Possum, he holds his own, and appears to be in top form. When asked, I will describe his work as "similar to riding a runaway subway train through the dark weaving tunnels underneath New York's concrete jungle;" on C4C all his signature sounds and inflections are present, and after five years away, and in the wake of the single and mix-driven blog-hop sound, it all feels somewhat refreshing, solid, and complete.

Dedicated to and inspired by El-P's longtime friend, rapper Camu Tao, who died of lung cancer in 2008, El-P uses this loss as a springboard to channel thoughts on death, violence, relationships, and just being in and of the world. Always a vivid storyteller and observer with a rapid fire yet clear flow, he creates tense scenes, approaching each song from various perspectives and framing. From interrogation rooms to domestic violence, his rhymes are as dense as the wall of sound rumbling underneath. He's always had a prog-like use of analog synths and big drums, and here those element are pushed into the red; many layers of samples, live and programmed instruments and other sound effects, create a throbbing and crumbling cityscape like a sonic mash-up of Escape From New York, Apocalypse Now and The Warriors. Musical guests include Paul Banks (Interpol), Nick Diamonds (Unicorns/Islands), Danny Brown, Killer Mike, Despot, Matt Sweeney (Chavez, etc.), Jaleel Bunton (TVOTR), Isaiah Owens (Mars Volta/Mastodon) and Mr. Motherfucking eXquire, who all are well-placed, melding into the landscape with ease and helping to heighten the tension. Much like the sound development within Kanye West's more recent productions, El-P is great at creating widescreen, dense, dark, and emotive film-like albums. This ain't no party music, however, this is thinking man's hip-hop for sure. If hip-hop died a few years ago, the current era is the vampire-loving afterlife; El-P here resurrects himself from the ashes of late-'90s hip-hop and has come, once again, to slay the uninspired, trivial, and banal, offering quality hip-hop from the deep underground. If you like good, thick, and edgy hip-hop, any of the above mentioned, Quakers or Death Grips, El-P is still the man -- at least one of them -- and it's good to have him back around. Check him out, and get the Killer Mike album too, it makes a nice chaser. [DG]

 
         
   
   

 

 

     
 

$9.99
CD

Buy

$9.99 MP3

Buy

  APACHE DROPOUT
Apache Dropout
(Family Vineyard)

"I'm So Glad"
"Do the Splendid Crown (Live)"

I was on the fence with a strong leaning towards the "against" side before I'd ever listened to them. Here is what I knew: there were ex-members of the John Wilkes Booze Explosion in the band, a group that I've never heard but always considered their name too clever for its own good; they have a song titled "God Bless You Johan Kugelberg" which seemed weird at best and at worst the musical version of tweeting at celebrities. Oh, and their name comes from an Edgar Broughton Band tune that is itself a bastardized version of Link Wray's "Apache" and Captain Beefheart's "Dropout Boogie." All of this seemed to add up to "outlook not so good," as the Magic Eight Ball would say. Thankfully a co-worker, unburdened by all of my mental baggage, played the record a few times and by the second run through I knew how wrong I was! Front to back this is one of my favorite and most listened to rock and roll records in ages. Great, inspired playing and honest to goodness songs that you won't be able to shake. Apache Dropout prove themselves to be a band that live up to all that their name implies. The CD version also includes a great live set that has many of the songs from the album as well as a track from their debut single and an otherwise unreleased tune "Carryin' Fleas." [DMa]

 
         
   
   

 

 

     
 

$17.99
CD

Buy




$17.99
CD

Buy




$17.99
CD

Buy

  BARIS MANCO
Dunden Bugune
(Guerssen)

BARIS MANCO
2023
(Guerssen)

BARIS MANCO
Sakla Samani Gelir Zamani
(Guerssen)

Baris Manco was a huge star in Turkey, right up 'til his death from a heart attack in 1999. For the past couple of years, Manco records have been in heavy demand amongst the beat digger and eBay collector elite, which is funny considering they were THE dollar bin staples in UK and NYC record stores 10 years ago. You could usually spot them a mile away. Manco was always wearing some kind of goofy jumpsuit, sporting a monster handlebar 'stache and a shoulder-length shag, while staring at the sky. Easy enough to pass up, but once collectors started to check out these records, they found some interesting idiosyncratic, ethnic psych-rock with a treasure trove of drum breaks contained within. Dunden Bugune was originally released in 1970 and contains his first big hit, "Daglar Daglar," which went on to sell an astonishing 700,000 copies. The album is pretty much a compilation of his singles from that year, and they are mainly in the floaty, gypsy folk-rock vein, punctuated by Manco's lilting vocals. But it's tracks like "Kucuk Bir Gece Muzigi" and "Iste Hendek Iste Deve" that get the collectors excited. Both are heavy, fuzzed-out ethno- dance rock jams, complete with heavy drum breaks in the intro section.

2023 was recorded five years later and was the first record to feature Kurtalan Express, his stellar backing band that would play with Manco up until his death. Primarily an attempt at the popular prog-rock concept albums of Yes, King Crimson and the like, this is actually Manco's first proper album. Judging from his fly yellow coat and the crazy planetarium cartoon font on the cover, I gather the concept here is something about the future and space. There's definitely a fried La Dusseldorf aesthetic to the proceedings, but without the unhinged art-rock pretenses. It's a dope synth-rock album, complete with breaks that have been lifted by the likes of Dilla, Madlib and Oh No.

Released a year after 2023, Sakla Samani Gelir Zamani (loosely translated to mean "Save Hay for a Rainy Day") was actually a compilation of Manco's biggest singles that were recorded between '72 and '76. It was my first introduction to his music and it's still one of the best entry points into his music. It's all killer no filler to these ears, but if hard-pressed to highlight faves, I'd go with the heavy gypsy-inspired funkiness of "Olum Allahin Emri," "Nazar eyle, Nazar eyle," and the acoustic oriental funk-rock fusion of "Lambaya Puf Dei." Many of these songs have found there way into Andy Votel mixes, Gaslamp Killer's live DJ sets and Madlib's MPC. These three reissues are all fine introductions to the vast catalogue of Turkey's biggest rock star and any passing fan of the aforementioned will find a lot to dig into here, especially lovers of Krautrock (namely Amon Duul, Can and Guru Guru) and/or break-heavy prog rock. [DH]

 
         
   
   

 

 

     
 

$17.99
CD

Buy

  URSPRUNG
Ursprung
(Dial)

"Exodus Now"
"Nightbirds"

Ever since 2003 (a full year before Pantha Du Prince's Diamond Daze LP), we've been waiting for Hendrik Weber to make another experimental instrumental album. "What?!", you say? That's right! Back when Pantha Du Prince had only one EP and no full album yet, Weber put out a criminally obscure CD-only release under the name Gluhen 4 for Dial. We reviewed it way back when (although about a year late) and were astonished at how inventive and personal the sound palette was. It was full of variety and enough ideas for two or three more albums, and although Weber has applied this same inventiveness to his standout releases as Pantha Du Prince, we are ecstatic that he has finally released another instrumental "non-techno" album as Ursprung, a collaboration with longtime friend Stephan Abry of the excellent, long-running experimental art and music project Workshop.

The self-titled album takes cues from long-held influences shared by both Weber and Abry: Krautrock, Harold Budd, Eno and Vini Reilly's Durutti Column; indeed the main sound source is guitar (both bass and regular electric guitar), but while many projects citing these same influences would be bogged down by a truckload of distractingly shallow '70s and '80s-isms, Ursprung succeeds by utilizing countless well-arranged layers to accomplish the Krautrock ideal of timelessness, completely side-stepping any obvious aural reference points while still evoking may classic records we love. There is an amorphous yet focused vision throughout Ursprung that embraces the same type of non- conventional song structures that the best '70s experimental German rock excelled at. It is perhaps Krautrock via post-rock, but without the post-rock syndrome of stiff self-consciousness and faux sophistication, and without the noodle-y bits and embarrassing forays into "funk" found in much of the more marginal Krautrock. Admittedly, almost jazz-like elements creep in as sounds groove atmospherically, but only in a cold, '70s-era Miles way. "Exodus Now" is a good example of this, as the beat, vibraphone, quasi-tropical synth and bells have a unique Future Days-gone-moody-Berlin feel but with more complex swells of layered sound (including some seriously nice clouds of bass). The floating compositional quality of Weber's "Bells Project" creeps in here as well. "Chruzegg" marries the lofty ritualistic sound of Aguirre with the cloudy romantic haze of prime shoegaze. While "Lizzy" may fit perfectly in with the rest of the album with its guitar sound being the most reminiscent of Vini Reilly, it also has a distinct Pantha Du Prince-gone-acoustic quality and would mix well into an extra-elegant house set. The Faust IV-esque soft, yet churning end to "Mummenshanz" is beautifully done. Even a track like the lovely "Kalte Eich" has a slightly 'cosmic' quality found in classic synth albums but in true form the song simply refuses to be bogged down by its reference points. As the synth melodies undulate in grander sweeps and a voice is introduced we are simply taken away by its beauty. [SM]
 
         
   
   

 

 

     
 

$12.99
CD

Buy

$19.99
LPx2+MP3

Buy

  JOEY RAMONE
...Ya Know
(BMG)

"There's Got to Be More to Life"
"I Couldn't Sleep"

When Joey Ramone succumbed to lymphoma in 2001, the bitter heartbreak of rock-n-roll fans could be felt worldwide. The legendary Ramones frontman was a leading pioneer of the ripped-jeans-and-leather-jacket style for smug hooligans, and his trademark boyish snarl had been resonating out of teenage misfits' bedrooms for decades. Joey is a punk rock icon and profoundly influential singer, but he never did have a solo career -- that is, until the Don't Worry About Me LP came out the year following his death. Ten years later, Joey releases his second posthumous album, ...Ya Know?, a collection of home demos unearthed and compiled by brother Mickey Leigh and produced by Ed Stasium (Ramones' longtime producer/engineer). These unfinished sketches of tracks have been fully fleshed-out for this record, resulting in a dozen well-produced solo songs and new versions of the Ramones' "Life's a Gas" and "Merry Christmas (I Don't Want to Fight Tonight)." The resulting melodies are a curious grab bag of material, ranging from pure riffing power rock a la AC/DC ("Rock and Roll Is the Answer"), to beloved '60s pop tunes of Phil Spector ("Party Line," featuring bubblegum female vocals and all!), there's even a slow acoustic country ballad thrown in for a good measure ("Waiting for That Railroad" -- watch out for the accordion), and an experimental stormy jam of layered guitars ("Cabin Fever" is a gem). Although there's quite a lot of Ramones' trademarked sound echoing throughout this album, many tracks seem to be personal ballads giving insights into Joey's slightly worried, yet mysteriously witty personality. His signature nasal tone can be haunting at times, with the final lines on "Life's a Gas" wrapping up the record on an emotional note; "Don't Be Sad/'Cause I'll Be There." This collection is not for a casual "Blitzkrieg Bop" fan, but it's a welcome addition to the Ramones' legacy. [ACo]

 
         
   
   

 

 

     
 

$16.99
CDx2

Buy

  VARIOUS ARTISTS
Up All Night! 30 Northern Soul Classics
(Charly)

"I Hurt on the Other Side" Sidney Barnes
"Nothing Worse Than Being Alone" The Ad Libs
"Just Like the Weather" Nolan Chance


This is another reissue of two seminal Charly collections that were initially compiled and released in the early '90s; Manchester's Wigan Casino and Twisted Wheel were the cornerstones of that scene's height ('73-'81) and the curators of this collection were both resident DJs of these clubs during their peak years. Springing out of the mod scene of the late '60s, the UK's working class youths would dance 'til the early morning light to these exuberant, obscure would-be hits from American 1960s soul artists. And the bright, up-tempo Motown-influenced bubblegum sound of these parties had a lasting influence in Great Britain, including on many of the popular UK pop and rock acts who were charting when the collection was original released (Paul Weller, Saint Etienne, Elvis Costello, etc.). This compilation was many people's first introduction of what the Northern Soul "sound" consisted of, and 20 years on, these records still contains some of the most joyous dance music in the world.

The set features incredible tunes like mid-tempo stepper "Gettin' Mighty Crowded" by Betty Everett, which was covered by Elvis Costello in 1980. Two must-hear belters from West Coast crooner and Keb Darge fave Fred Hughes are included as well as obscurities from future star Van McCoy and a lovely up-tempo slice of aural sugar by the obscure girl group the Inspirations. The extensive liner notes features a lot of incredible photos documenting the scene, as well as top-notch historical info about the artists, labels and promoters who were the heartbeat of the movement. Recorded in the '70s, compiled in the '90s, still amazing today, this is the perfect soundtrack to warm weather and brighter days ahead. Fans of dancing, short skirts, handclaps, foot tapping, sloppy hugs and rock-n-soul, step right up! [DH]

 
         
   
   

 

 

     
 

$14.99
12"

Buy

  PIGON
Kamm - Function / Tobias Remixes
(Lirum Larum)

Pigon, the collaborative project of Dial artists Efdemin and Rndm, gets remixed here by two other masters of deepness: Function (Sandwell District) and Tobias (long-running, under-heard, head-friendly analog minimalist with a new album on Ost Gut Ton). Released on Efdemin and Rndm's own recently started Lirum Larum imprint, I knew this would be a good one, and yes it is. Each artist is given a side to extend their remix through; Function comes correct as you'd expect with a soft, padding house groove shot through with bursts of soft light and bits of warm static. But it's Tobias' remix of "Kamm" that just plain slays with its gently vibrating locomotive synth patterns that groove on and on, rising and falling, accented by a swinging rusty gate, echoing snare rolls and a gorgeous textural effervescence that sits quite beyond any plain, everyday "ambient techno house." It is one of those "special tracks" possessing a strange quality: subtle, yet with a focused and strong room-filling sound created by its very effectively sculpted layers. This is the type of cut that possesses such consistently interesting, slowly evolving parts that it inevitably ends well before I'm done hearing it. I've personally tried to find a good follow-up track to "mix out of it" with but because of its unique quality, I've had difficulty coming up with something that doesn't falter in its wake. I've decided that I might actually just need another copy to extend and remix with to my heart's content. Yup, it's that good... favorite minimal house track of the month! [SM]

 
         
   
   

 

 

     
 

$17.99
12"

Buy

  SPECIAL REQUEST
Deflowered
(Special Request)

Every once in a while we get a record that grabs our ears simply by putting two or more things together in a way we didn't expect. Special Request, a project of Paul Woolford's inspired by UK pirate radio, gets some wonderfully surprising remixes here, one as a dub and one reworked by the excellent Kassem Mosse and Mikrodisko's Mix Mup. The "Warehouse Dub" blends everything from throbbing dubstep bass to nods to epic UK house rave, but again, not in the way you'd expect! The catch is how gaping holes of space are left in between these massive sounds to create a stripped-down rave sound not unlike what's heard on Zomby's Where Were U in '92?. The Kassem Mosse/Mix Mup remix of "Deflowered" kills with mid-tempo, swinging acid house patterns seemingly made up of melodic tuba bass and other sounds that would read like blasphemy in print. Patterns and sequences seem to be controlled by the inimitable K. Mosse while Mix Mup throws in wild flourishes like shrilly whistles, slamming doors, jingle bells and clacking drums. The crazy thing is that while this description may sound like mayhem, those that know what K. Mosse is capable of will rightfully expect that every sound, every element and every pattern is masterfully chosen, sequenced and arranged to make a raw, swinging, slow and uniquely jacking track. This is the stuff that can only come out of love and understanding of sound and the music it references -- quite a rarity these days with so many Wikipedia-educated producers. I say it again: Kassem Mosse is killing it. Feel the real!!! [SM]

 
         
   
   

 

 

     
 

$14.99
12"

Buy

  PEPE BRADOCK
Imbroglios Pt. 1
(ATA)

Along with the long overdue reissue campaign of (some of) Pepe Bradock's classic 12"s (including "Path of Most Resistance" and "Mandragore"), we have his first new material in years! As I've been telling anybody who will listen, no one can really touch Bradock for this psycho-tropical/psycho-acoustic, dank, raw, otherworldly house sound. His level of distinction rivals classic idiosyncratic producers from Isolee and Herbert to Zomby and Kassem Mosse -- like any of them, it only takes a few bars to know who's at the controls. And like DJ Koze, another out-there house producer who began as a humble hip-hop producer, Bradock has a far-reaching penchant for inventive, deeply weird, raw sounds that are engagingly familiar yet hard to put a finger on. Rest assured, there is no slacking here.

This EP is impeccably unique and distinctive, as always. Four tracks in total, the two side-closers being up-tempo yet deep, melted, moist and trippy psychedelic house (for his headier, typically smoked-out sound, just pitch them down to about -5). The two inner tracks on each side are both a unique soundtrack/house hybrid that utilizes the shifting/beatless yet moving atmospheres he's been experimenting with on records like "Sakura Incident," but these cuts shift elegantly between the beatless and beat-having moments that blend acoustic hybrid sounds with tones/textures shared by '50s/'60s obsessives like the Ghost Box label collective and Broadcast. Track B-2 "Inconsequent Pussy" even blends some close-up cat purrs to the mix. Great stuff here. Still untouchable!!! [SM]
 
         
   
   

 

 

     
 

$10.99
CD

Buy



  LUNGFISH
A.C.R. 1999
(Dischord)

"Eternal Nightfall"
"I Will Walk Between You"

I will fully admit to taking Lungfish for granted during their active existence as a band. I'd say there was a certain comfort in casually buying a new Lungfish record every so often and if you missed one there was another one coming soon, but it wasn't until hearing this album that I realized how much I missed them. Immediately identifiable by Daniel Higgs' deep voice and his mystical lyrics and Asa Osborne's simple, melodic guitar lines, each record created a world unto itself where you could get lost for a while and try to figure out what Higgs was getting at, or just ride their repetitious, ascetic songs for a respite from real life. In a space of fifteen years they released eleven studio albums, each one worth your time and money if you ask me, and this one is as well.

As the title suggests these songs were recorded in 1999 at Baltimore's A.C.R. studios, but these recordings were shelved for some reason or another; the band then re-recorded six of these tracks for inclusion on the Necrophones album. You don't notice it right off, but when compared to the songs that overlap with Necrophones you realize that, overall, these versions sound a little tougher, especially "Shapes in Space." One of the weirder tracks in their vast discography, here it could almost be taken for an early new wave of British heavy metal tribute, wailing guitar solo and all. Ultimately the strength of this record lies in its duality as a heavy duty, fan geek-out piece at the same time as being just a great album that you don't need any back-story to enjoy; I have no idea why this one fell by the wayside way back when, but I'm glad it's finally arrived. [DMa]

 
         
   
       
   

 

 

     
 

$21.99
CDx2

Buy

  SWANS
We Rose from Your Bed with the Sun in Our Head
(Young God)

"My Birth"
"Eden Prison"

First released in an ultra-limited handmade edition (and now long sold out), this repackaged 2CD live album was recorded during Swans' 2010 tour culled from performances in Berlin, Melbourne and New York City. Featuring a mix of classics and tracks off of the recent My Father Will Guide Me Up a Rope to the Sky, as well as a few early versions of songs off their forthcoming new album The Seer, there's never a doubt during these 72-minutes that Michael Gira and his newly reconvened group are as intense, visceral and powerful as ever.
 
         
   
   

 

 

     
 

$10.99
CD

Buy

$14.99 LP

Buy

$9.99 MP3

Buy

  VIOLENS
True
(Slumberland)

"Through the Window"
"Unfolding Black Wings"

Jorge Elbrecht's music/art collective Lansing-Dreiden sought to spend much of their existence sequestered in purposeful anonymity, but his recent group, Violens, is more of a band proper. While still taking some cues from '80s pop and new wave, the murky reverbed sprawl of L-D has been eschewed for a more luxurious wash of sound. True finds the group turning up the melodic influence of bands like the Zombies -- first heard on 2010's Amoral -- but nicely wrapped in the satiny and occasionally noisy haze of early-'90s dream pop. Violens' new home on Slumberland couldn't be a better fit then, and Elbrecht and his group strike the perfect balance of accessibility and introspection.

 
         
   
   

 

 

     
 

$18.99
CD

Buy

  GEOFF BARROW & BEN SALISBURY
Drokk
(Invada)

"Justice One"
"Scope the Block"

Originally conceived for the soundtrack to the forthcoming Pete Travis big-screen adaptation of the iconic 2000 AD post-apocalyptic British comic, Barrow has collaborated with established soundtrack composer Ben Salisbury for a chilling suite that effectively evokes Judge Dredd and his terrifying 'lawgiver,' and the dark future they inhabit. Part industrial menace, part dark-ambient swoon, and two parts swelling soundtrack grandeur, it's great stuff from start to finish, and hard to imagine why this music did not make the final cut of the film.

 
         
   
   

 

 

     
 

$20.99
CDx3

Buy

$10.99 MP3

Buy

  FELA KUTI & EGYPT 80
Live in Detroit 1986
(Knitting Factory)

"Beast of No Nation"
"Confusion Break Bones"

Four sprawling tracks, over two and a half hours of music from Fela Kuti's late-period band Egypt 80. It's an audience tape, but a damn-good sounding one, and while Africa 70 is probably Kuti's better-known ensemble, this is an intense and amazing performance from the jazzy, spaced-out group. "Just Like That," "Confusion Break Bones," "Teacher Don't Teach Me Nonsense," and a deep set-closing "Beast of No Nation."

 
         
   
   

 

 

     
 

$13.99
CD

Buy

$9.99 MP3

Buy

  JBM
Stray Ashes
(Western Vinyl)

"Crooked Branches"
"You Always Keep Around"

Jesse Marchant's follow up to his gauzy 2010 debut Not Even in July is a bit more concise, with most songs clocking in under five minutes, but no less haunting. Marchant's vocals sound a bit like Jim James, but the music is far removed from My Morning Jacket's hair-wagging rock, opting instead for an atmospheric haze built around quiet guitar finger-picking, moaning synth washes, and spare, crisp percussion hits or simple loops. It's late-night music of the best sort, and highly affecting.
 
         
   
   

 

 

     
 

$11.99
CD

Buy

$14.99 LP

Buy

$9.99 MP3

Buy

  SHANNON STEPHENS
Pull It Together
(Asthmatic Kitty)

"Care of You"
"Faces Like Ours"

Shannon Stephens' third solo album is an engaging folk-rock affair, mellow and loose, but not without the bite of an electric guitar or the smack of a drum hit good and hard from time to time. She has a nice band here, including a couple of Sufjan Stevens' collaborators (with whom she used to perform herself), plus Jeff Fielder on guitar (Mark Lanegan and Isobel Campbell). Stephens' voice is as powerful as ever, and this is an assured, occasionally strutting outing, not to mention that she rocks a sweet-faced and powerfully weird duet on "Faces Like Ours" with Will Oldham, who has covered her songs in the past.
 
         
   
   

 

 

     
 

$11.99
CD

Buy

$9.99 MP3

Buy

  THE CRIBS
In the Belly of the Brazen Bull
(Wichita)

"Come On, Be a No-One"
"Like a Gift Giver"

Now without Johnny Marr on second guitar, but with both Steve Albini and Dave Fridmann enjoying production credits, the Cribs roll on with a decidedly '90s-inspired indie pop record. And the good news is, they have the hooks to pull it off, with a loose, joyful post-Pavement fuzzy guitar sound that references many great indie bands of yore, but eschews the retro-precision of a band like Yuck. It's nothing new, but maybe that's the point.

 
         
   
       
   

 

 

     
 

$19.99
LP

Buy

$14.99
CD

Buy

  CORNERSHOP
Urban Turban Singhles Club
(Ample Play)

"Who's Gonna Lite It Up?"
"Dedicated"

Faithful Update readers know that Cornershop delivered one of my favorite albums last year with The Double-O Groove Of, returning to OM shelves with a fusion of Punjabi folk, greased-up funk, and classic Tin Pan Alley craftsmanship tailor-made to remind listeners that they were one of the first pop practitioners of the modern era to disregard genre boundaries and make music that brought together all of the sounds they loved without discrimination. They followed that with a subscription series of download singles made in collaboration with new friends from around the globe; those six songs are presented here along with an additional six to create a great new set, Urban Turban: The Singhles Club. As The Double-O Groove saw Cornershop frontman Tjinder Singh step back from the mic to focus on the music with fellow mastermind Ben Ayres, shining the spotlight on vocalist Bubbley Kaur, Urban Turban also finds Singh largely silent vocally, this time singing only on the album's excellent opener "What Did the Hippy Have in His Bag?" and its reprise, a delightful duet between Singh and a class of primary school students, who provide backup vocals and belly laughs and set the mood for the positive, casual, off-the-cuff atmosphere of the rest of the record.

The band brings in a strong mix of chugging guitar riffs, clattering Indian percussion, and thick, squelchy synth-funk grooves; "Who's Gonna Lite It Up?" features powerful, bluesy vocals and a raw, distorted guitar over a tabla-funk beat that sounds like PJ Harvey relocating her angst from the Mississippi Delta to the Bay of Bengal, while "Non-Stop Radio" and "Solid Gold" feature strong female voices on a Euro-dance tip, blending the finest moments of the Happy Mondays and Daft Punk with the same kind of contemporary synth-pop for which groups like Hot Chip have made a name for themselves. "Dedicated" sounds straight out of a classic Paradise Garage setlist, while "Beacon Radio 303" and "Inspector Bamba Singh's Lament" are the obligatory Punjab-folk-as-original-hip-hop jams, nodding to the magic of their last album. Elsewhere, the group throws down an odd, awesome track that sounds like Mark E. Smith covering the Cold Crush Bros ("Milkin' It"), a northern soul stomper ("Concrete, Concrete"), and even a nod to their scrappy, riot-girl affiliated indie-pop past with "Something Makes You Feel Like."

In many hands, this would all come across like an unfocused mess, but Singh and Ayres prove their skill by making this a rather unified album despite its beginnings as a series of standalone singles; out of all of their past records, this compares closest to their excellent yet still underrated album as Clinton, Disco and the Halfway to Discontent, which saw the band getting down and dirty with a similar sound palette as a breather after their worldwide success with Cornershop's 1997 breakthrough When I Was Born for the 7th Time. Where that album had a raw, scrappy, cut-n-paste DIY ethic to it, these songs feel and sound more seamless and fleshed out than those experimental funk sketches did. This band continues to find new ways to tweak and expand upon their trademarked sound while keeping the proceedings as fun and fresh as their early genre-splices. Summer's coming just around the corner, and Urban Turban's one of the best soundtracks to that heat that I can think of. [IQ]

 
         
   
   

 

 

     
 

$21.99
LPx2

Buy

$13.99
CD

Buy

  SPIRITUALIZED
Sweet Heart Sweet Light
(Fat Possum)

"Hey Jane"
"Heading for the Top"

Pain, addiction and walking with Jesus have been constants throughout Jason Pierce's musical career, but on his seventh Spiritualized album it's impossible not to feel the weight of lyrics like "Help me lord, help me Jesus/'cause I'm lonely and tired" -- even if sung metaphorically. Having already survived a near-death experience from double pneumonia back in 2005, Pierce had fallen ill once again, this time with a long-term liver disease, and during the mixing of Sweet Heart Sweet Light was undergoing experimental chemotherapy that placed him in a very different sort of mind-altered state than the drug-fueled highs long associated with his music and persona. It sets a sort of prescient tone, even as Pierce's MO -- filtering blues, gospel, early rock 'n' roll, free-jazz freakouts, and motorik Velvets/Krautrock droning into a swirling and oft-grandiose, psychedelic confection -- hasn't changed; in fact, this album sounds like it could have been released on the heels of 1997's Ladies and Gentlemen We Are Floating in Space, Spiritualized's (and Pierce's) creative apex.

Following a brief introduction of celestial orchestration, Sweet Heart Sweet Light kicks into the almost nine-minute "Hey Jane," which chugs on a VU-cribbing two-chord groove before resetting itself at the halfway point for a gloriously rapturous, rocking ascent, complete with a gospel choir repeating the album title as a heavenly refrain. Throughout the record, though, mortality is always lurking, be it in the deceptively sweet, orchestrated Brit-pop of "Little Girl" (where Pierce plaintively longs, "Sometimes I wish I was dead/because only the living can feel the pain") or over the woozy drone of "Get What You Deserve," in which it's never quite clear whether his druggy proclamation of "Gonna shoot you while you're laying down" refers to a gun or a needle. Elsewhere, Dr. John (who also appeared on Ladies and Gentlemen...) lends some of his gris-gris to the swampy blues-n-skronk of "I Am What I Am," while "Life Is a Problem" finds Pierce pleading over the gently swaying Disney-esque strings, "Jesus be my bullet and gun/shoot all the sinners down, every one/ Kill all my demons and that would be fine/but I would be reloading all of the time."

By the time closer "So Long You Pretty Thing" comes in it seems that all hope is lost, but the sweet voice of his 11-year-old daughter hints that things may turn out different. Soon after, Pierce finds salvation as he laments the death of rock 'n' roll while simultaneously hopping on the back of its spirit and soaring to the heavens singing, "So long you pretty thing, God save your little soul/The music that you played so hard ain't on your radio/And all your dreams of diamond rings and all that rock 'n' roll can bring you/Sail on, so long." [GH]

 
         
   
       
   
         
  All of this week's new arrivals.

Previous Other Music Updates.

Visit www.othermusic.com.

PHONE ORDERS

Phone orders are accepted at
(212) 477-8150 (ext. #2, mailorder) Mon-Fri, Noon - 7pm EST

EMAIL
For general inquiries or other information please email sales@othermusic.com. Do not reply to this message.

REMOVE
This is an automated list. If you would like to be removed for any reason, please visit: digital.othermusic.com/subscribe.php
 

THIS WEEK'S CONTRIBUTORS

[ACo] Anastasia Cohen
[DG] Daniel Givens
[GH] Gerald Hammill
[DH] Duane Harriott
[IQ] Mikey IQ Jones
[DMa] Dave Martin
[SM] Scott Mou





THANKS FOR READING
- all of us at Other Music

 
         
   
    Copyright 2012 Other Music
Newsletter Design Big Code