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   October 18, 2012  
       
   
 
 
OCT Sun 14 Mon 15 Tues 16 Wed 17 Thurs 18 Fri 19 Sat 20




  DANCE CRAZE III: FORT GREENE PARK BENEFIT!
Many of our readers will know that every summer, Other Music books a free music series in Brooklyn's Fort Greene Park, and tonight (Thursday, October 18), we hope you will join us at our yearly benefit event supporting the arts programming, park restoration and maintenance work that the Fort Greene Park Conservancy works year 'round to provide. This year's Dance Craze features a pair of Brooklyn's best and most soulful DJs, Justin Carter (Mister Saturday Night) and DJ Spinna, and along with a great night of dancing, dining and drinking in the heart of Fort Greene, your ticket purchase will help guarantee another year of great music in Brooklyn's oldest (and coolest) park!

TONIGHT: THURSDAY, OCTOBER 18
767 Fulton St. Brooklyn
Home of the new Greene Grape Provisions

$75 Tickets Available Here

     
 
   
       
   
     
 
 
FEATURED NEW RELEASES
Savages
Daphni (Caribou's Dan Snaith)
Godspeed You! Black Emperor
ADN' Ckrystall
Mac DeMarco
The Luyas
Pinback
Linea Aspera
Daniel Bachman
The Minus Times (Book)
 
ALSO AVAILABLE
Invisible Things + Free mp3
Sun Airway
Regal Degal
Majeure
Bollywood Steel Guitar (Now on LP)
Woo (Download available)
Two Fingers (Download available)



All of this week's new arrivals.
Follow us on Facebook: facebook.com/othermusicnyc
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OCT Sun 14 Mon 15 Tues 16 Wed 17 Thurs 18 Fri 19 Sat 20
  Sun 21 Mon 22 Tues 23 Wed 24 Thurs 25 Fri 26 Sat 27


Cat Power


  TICKET GIVE-AWAYS TO THE PRESETS & CAT POWER
The Bowery Presents have set aside a pair of tickets to each of these upcoming shows for a lucky Update reader (one winner per show). To enter to see the Presets with YACHT and Strange Talk this Friday, October 19 at Terminal 5, email contest@othermusic.com. Then on Tuesday, October 23, Cat Power will be playing at the Hammerstein Ballroom with Willis Earl Beal and Xray Eyeballs and for your chance to win these tickets, email enter@othermusic.com.

THE PRESETS - FRIDAY, OCTOBER 19
TERMINAL 5: 610 W. 56th St. NYC
CAT POWER - TUESDAY, OCTOBER 23
HAMMERSTEIN BALLROOM: 311 W. 34th St. NYC
     
 
   
   
 
 
OCT Sun 21 Mon 22 Tues 23 Wed 24 Thurs 25 Fri 26 Sat 27


  WIN TICKETS TO THE SEA & CAKE
On the heels of their ninth album, the excellent Runner, Chicago post-rock-pop institution the Sea and Cake will be performing in New York City this Monday at Le Poisson Rouge, with the Fiery Furnaces' Matthew Friedberger opening the night. Other Music has one pair of tickets to give away and you can enter to win by emailing tickets@othermusic.com. We'll notify the winner this Friday.

MONDAY, OCTOBER 22
LE POISSON ROUGE: 158 Bleecker St. NYC

     
 
   
   
 
 
OCT Sun 21 Mon 22 Tues 23 Wed 24 Thurs 25 Fri 26 Sat 27


  TICKET GIVE-AWAY TO A.C. NEWMAN
A.C. Newman (New Pornographers, Zumpano) just released his third solo album, Shut Down the Streets, and next week he'll be playing a couple of shows in the New York area, including a stop in Hoboken at Maxwell's on Wednesday, October 24, along with the Mynabirds who are supporting the tour. We're giving away two pairs of tickets to this show and you can enter for your chance to win by emailing giveaway@othermusic.com.

WEDNESDAY, OCTOBER 24
MAXWELL'S: 1039 Washington St. Hoboken, NJ

     
 
   
   
   
   
   
       
   

 

 

     
 

$9.99
12"+MP3

Buy

  SAVAGES
I Am Here
(Pop Noire)

You have to give it up for Savages -- one of the biggest buzzes coming out of the UK in a long while (or at least one of the biggest buzzes for a band who doesn't suck), with rave reviews for their live show, prime touring around the world (they are all over NYC this week for CMJ), all with just one lonely 7" out, just two fierce tracks. The group has been definitive that they are not making an album until they are ready to make a great one, focusing only on their intense live performances for the moment. Which explains this new 12", though it's still a pretty gutsy move: a live EP before they ever make a studio album. If you have not been following the hype train, Savages are a raw, heavy post-punk band of four London girls who evoke some groups of yore like PiL, Siouxsie, Joy Division -- you get the picture. It's dark, scary and cathartic, in the best ways, and while we all wait for the album, these live tracks offer plenty to mull over. [JM]

 
         
   
   

 

 

     
 

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  DAPHNI
Jiaolong
(Merge)

"Pairs"
"Jiao"

Longtime Other Music favorite Dan Snaith's newest record is easily one of 2012's most irresistible and driven releases. We've loved following his progression as a musician over the years, from his psychedelic and percussive jams as Manitoba, morphing into Caribou and hitting a major career high with 2010's Swim -- easily one of the best albums that year -- to Daphni, where Snaith fully embraces the dance floor with an instant leftfield house classic. This is a definitive collection and a spiritual follow-up to last year's Caribou remix of Virgo Four's "It's a Crime," still in regular rotation in clubs around the world.

Jiaolong compiles remixes, edits, and originals that Snaith crafted for use as tools and peak-time bangers for his increasingly impressive DJ sets. His synthesizer manipulation is instantly recognizable, and his straightforward approach to some tracks belies the complexity of his production. From the standout hit remix of Cos-Ber-Zam's "Ne Noya" to the soulful burner of an opener in "Yes, I Know," the songs vary from club jams to deep, late night shuffles strung together by African polyrhythms and cinematic synthesizer arrangements. Just as engaging for home listening and night drives as full on sound system music, I have a feeling that we'll be hearing tracks from this record for a long time to come, and I'm very happy about that. [BCa] (Released 2012)

 
         
   
   

 

 

     
 

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$21.99 LP

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  GODSPEED YOU! BLACK EMPEROR
Allelujah! Don't Bend! Ascend!
(Constellation)

"We Drift Like Worried Fire"
"Mladic"

It's been a decade since Godspeed You! Black Emperor delivered one of their coded missives to the struggling world, and after the surprise announcement two weeks ago that we should expect a transmission, it has arrived as promised, and not a moment too soon. The Canadian collective cut a broad swath across the indie world in the late-'90s with a dark instrumental sound that drew on a diverse range of modern music, from rock to post-rock to metal, from noise to classic soundtrack atmospherics to classical composition and minimalism, always underpinned with a sharply political bent that somehow managed to seep into their wordless music, adding layers of meaning and intensity to the brooding tones. Their last record came out in 2002, but after years of total silence, the band began to perform again recently, and now they have graced us with these four new tracks (actually the core of this album has been in the group's live repertoire since the early 2000s), including a pair of 20-minute workouts that are among the heaviest, deepest and most intriguing recordings that Godspeed has ever made.

Album opener "Mladic" enters with a found-sound vocal snippet and a hypnotizing melody that seems to blend an Eastern-sounding string melody with the drone of harmonium, soon joined by a birdsong of plucked guitar notes that are slowly enveloped by a menacing, overdriven guitar orchestra that is darkly metallic and numbingly powerful. The track is a paranoid, uncomfortable and purely cathartic ride that caresses and pummels in equal measure, building and morphing several times, moving in several directions simultaneously, but always with a measured and deftly assured logic that is inescapable. It's primal music, to be sure, moody and deeply abstract, but somehow this band, through their dense and hallucinatory artwork, their ungainly and evocative titles, and their backs-turned attitude towards much of the commercial side of making music, manage to imbue their records with a sense of freedom and rebellion that is both deeply subversive and utterly embracing and humanizing. Surely we project our own hopes and desires on the art that we love, and Godspeed's music leaves so much open to interpretation, but it's hard to listen to this album without feeling like the band forced themselves out of hiding after all these years because they felt the crumbling world needed to hear this message; now it's up to you to decode. Time is of the essence, it's almost too late already, and I have only one clue -- play loud!!! [JM]

 
         
   
   
   
   
   
   

 

 

     
 

$14.99
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  ADN' CKRYSTALL
Jazz'Mad
(Dark Entries)

Preview Songs on Other Music's Download Store

The 1982 debut from France's ADN' Ckrystall remains one of the strangest, most far-out and completely zonked synth-based albums of the time. The moniker of Erick Moncollin, as ADN' Ckrystall he fused the shimmering synth experimentations of German Krautrock and the chivalric pomp of prog-rock with a dark, woozy minimalism inspired as much by new wave pioneers like Gary Numan as by the possibilities opened through the rising synth underground of the early '80s. With just six tracks comprised mostly of lengthy flanged-out, psychedelic instrumental synthesizer meanderings, Jazz'Mad moves from abstract ambiance to a saccharine medieval flair at the drop of a hat; yet, alongside this experimental bent is a keen awareness of synth-pop structure and form -- Moncollin shifts to rhythmic minimal synth mid track, laying down dark analog drum programming and simple keyboard lines to place his deep, groggy vocals onto. This isn't an easy album to describe or wrap your head around entirely, you really have to hear it to believe just how strangely beautiful it really is. But try to imagine the psychedelic synthscapes of Emerald Web, the pastoral quality of the more gentle edges of Krautrock (I'm tempted to describe ADN' Ckrystall as Popol Vuh gone new wave), the crystalline workouts of Vangelis or Tangerine Dream, and the DIY approach of minimal synth rolled into one bizarre LP.

Here reissued to mark its 30th anniversary, I can't say that this album will appeal to everyone. Yet, ADN' Ckrystall has now been released in various forms by three of the top minimal synth reissue imprints (Vinyl-on-Demand, Minimal Wave, and now Dark Entries) in very small editions over the last ten years, if that gives you any idea as to what kind of hold Jazz'Mad has had on fans of '80s synth music. It's long been a personal favorite of the genre too, and a record I've come back to over and over again for just how oddly listenable and engaging it is. Fans of the weirder edges of minimal synth (Der Plan, Ceramic Hello, Experimental Products, Dark Day) take note. Highly recommended. [CPa]

 
         
   
   

 

 

     
 

$11.99
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$13.99 LP

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  MAC DEMARCO
2
(Captured Tracks)

"Cooking Up Something Good"
"Annie"

The mischievous, lipstick-wearing Mac DeMarco popped up on the scene earlier this year with his Rock and Roll Night Club EP, accompanied by a ridiculous glammed-up album cover and several bizarre YouTube videos showing off the singer-songwriter's goofiness. It was a set of lo-fi, dazed tracks with soulful vocals that were purposely slowed down by DeMarco in the homespun recording. On the first actual full-length, oddly titled 2, the Montreal native has toned down his previously exaggerated imagery, clad in lumberjack flannel on the cover, accessorized by a guitar and a gap-toothed grin. Although not quite as glamorous as the character DeMarco constructed for his debut EP, 2 does not disappoint in the slightest, presenting a collection of songs that seem to get closer to the real soul of the artist, suggestive of the kind of boyish simplicity Jonathan Richman would approve of. We hear Mac's true laidback vocal tones supported by sweet, simple intertwining '50s pop guitar hooks, and a set of rather personal anecdotes from the heart. A past as the family black sheep frame album opener "Cooking Up Something Good," and a few songs later we get a rather apologetic surf number, "Freaking Out the Neighborhood." Somehow, DeMarco is the type to get away with the title "Ode to Viceroy," where he intones "Oh honey, I'll smoke you 'till I'm dyin,'" just before he starts piping out some high-pitched ah-la-laahs. "Annie" has a dark Velvet Underground swagger, and there are also a few folk ditties too: the twangy "Boe Zaah" and the charming album closer, "Still Together." Mac DeMarco has achieved a unique and intimate sound summing up his persona: a sort of outsider artist quality with an added dollop of fiendish prankster genius. [ACo]

 
         
   
   

 

 

     
 

$12.99
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$16.99 LPx2+MP3

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$9.99 MP3

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  THE LUYAS
Animator
(Dead Oceans)

Preview Songs on Other Music's Download Store

Receiving tragic news about the death of a close friend on the same day that the Luyas had begun to work on their new album, the resulting Animator would inevitably be shaped by underlying themes of mortality and loss (check the gentle, mournful sway of the eight-and-a-half-minute opener, "Montuno," or the haunting choir that unexpectedly closes out the Broadcast-esque pop of "Fifty Fifty"). The Luyas are one of the most beguiling groups from Montreal's music scene -- and really, anywhere right now -- crafting lush, atmospheric pop that utilizes rock instruments, woodwinds and strings, subtle bubbling electronics, and hypnotizing Teutonic rhythms to support singer/multi-instrumentalist Jessie Stein's breathy, ethereal melodies. While fans of Portishead, Pram and the aforementioned Broadcast will find a lot to love here, the mysterious, cinematic allure of Animator is very much of the Luyas' own making. [GH]

 
         
   
   

 

 

     
 

$13.99
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$16.99 LP+MP3

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  PINBACK
Information Retrieved
(Temporary Residence)

"A Request"
"His Phase"

It's been five years since Pinback issued their much-loved last record, Autumn of the Seraphs, and in the interim the band has faced some major hurdles, including the death of a member and the dissolution of their label. Scarred, perhaps, but far from broken, Pinback have returned at last with a lovely new LP, sounding sweetly melancholic throughout, but standing tall. In many ways, for a band so assured in their sound, and with such a distinct knack for melody and groove, it's hard to say what makes Pinback's different albums stand out -- in most ways they are all part of a whole. Rob Crow and Armistead Burwell Smith IV have been peddling their particular brand of soulful indie-pop for around 15 years now, and they seem to have it down to a science: tightly syncopated drum rhythms, looped and sequenced but still with the soul of live drumming, chiming guitars, pulsing bass, subtle textures that add mood and melody, and breezy, dreamy vocals. Information Retrieved adds splashes of piano on a few cuts, slows things down at times, and across ten tracks strikes a perfect balance of sadness and light. I won't say this record will win over the fence sitters, but fans should snap it up without hesitation. [JM]

 
         
   
   
   
   
   
   

 

 

     
 

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  LINEA ASPERA
Linea Aspera
(Dark Entries)

Preview Songs on Other Music's Download Store

Best known for their reissues of lost minimal synth classics, San Francisco's Dark Entries shifts gears a bit with the debut LP from the contemporary British synth-wave outfit Linea Aspera. The London-based duo recalls the heyday of early-'80s gothic synth-pop from the likes of OMD, Depeche Mode, and the French cold wave scene (think Kas Product, End of Data, or Deux) with their dark, dreamy analog synth work and rhythmic drum machine programming. This lays the foundation for singer Alison Lewis' haunting, soulful vocal delivery reminiscent of a more disaffected Alison Moyet, which gives the tracks here a nice warmth in contrast to the cold, analog instrumentation. While you'd be hard-pressed to differentiate a Linea Aspera song from a rare, early-'80s minimal synth track in a DJ set (yes, they do it that well), this is still very much the sound of synth-wave in 2012 -- dark, brooding, and aimed straight for the dance floor of your local synth party. Like their retro-futurist contemporaries such as Xeno & Oaklander (the closest comparison to Linea Aspera's sound), Soft Moon, Medio Mutante, or the Wierd Records roster, they pay obvious homage to the past while managing to sound very 'now.' Linea Aspera aren't reinventing the wheel here, but they offer up a strong debut sure to please fans of modern analog electronic music. [CPa]

 
         
   
   

 

 

     
 

$13.99
CD

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  DANIEL BACHMAN
Seven Pines
(Tompkins Square)

"Mount Olive Cohoke"
"Seven Pines"

Sticking with an acoustic guitar for the entirety of Seven Pines, Daniel Bachman fingerpicks his name into the family tree of steel-stringed Americana guitar gods, putting his own stamp on mystical Appalachian folk music with lush string resonance and enchanting syncopation. Hailing from Fredericksburg, Virginia, the 22-year-old Bachman now lives in Philadelphia, where he has grown more and more prolific and precise in his approach. A steadfast and charismatic performer, his Tompkins Square LP gives a wide-angle view of the abilities of this young and prodigious musician. The title track is a tour de force, as Bachman builds from a swirling melody into an uptempo, dissonant fury, before settling uncomfortably in between. As the songs vary in tunings, the mood shifts and the nods to the musician's influences let loose, playfully acknowledging his hard-earned position in a long tradition of masters. This record is worthy and demanding for many return listens, and is by far one of the finest I've heard this fall. [BCa]

 
         
   
   

 

 

     
 

$16.95
BK

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  THE MINUS TIMES
The Minus Times Collected: Twenty Years / Thirty Issues, 1992-2012
(Drag City)

Though The Minus Times began as a free handout in Austin in the early '90s, you always had to work to score a copy (if you even knew about it to begin with). Described by the initiated few as an "very elusive" literary magazine whose production was as sporadic and mysterious as its content, the first 19 issues were composed of short stories, wry lists and strange news clippings, all held together with staples, and left in the doorways of bookstores and coffee shops. It wasn't until 1996 that the publication caught the eye of Drag City and The Minus Times became a "proper magazine" with a "real cover" and "regular contributors." Over the years, however, two things never changed: every issue was hand-typed on a Royal Standard typewriter, errors (of which there are many) be damned, and editor Hunter Kennedy never relented with his goal to feature "exceptional writing" that was "not found in other 'literary publications'." Now released in a special over-sized volume by Drag City, in conjunction with Featherproof Books, anyone can get their hands on all thirty of these almost-impossible-to-find issues; The Minus Times was not only a project that featured little-known American fiction, but a labor of love (and sometimes desperation) that created its own mythology over the years by shining a small spotlight on the work of many art, music, photography and literary luminaries before they were considered such. There are past writing contributions from Sam Lipsyte, David Berman, Patrick deWitt and Wells Tower, illustrations by David Eggers and Brad Neely, and interviews with Dan Clowes, Barry Hannah and Stephen Colbert amongst others. And, as an added bonus, this new edition includes new content from Jeff Rotter, Brad Neely and Jeff Johnson. The Minus Times has everything from the arcane to the wonderfully obvious, making it a humorous, striking and genuine read. Anyone interested in art and literature of any kind should pick up this tiny piece of its history; it's well worth your time. [PG]

 
         
   
   
   
   
   
       
   

 

 

     
 

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  INVISIBLE THINGS
Home Is the Sun
(Porter)

Preview Songs on Other Music's Download Store

Debut album from Invisible Things, a new duo made up of Mark Shippy (U.S. Maple, Shorty) and Jim Sykes (Parts & Labor, Grooms, Marnie Stern). Featuring 17 tracks which come together to form one long, epic piece, the band creates a noisy, ever-shifting soundscape built out of Shippy's guitar work which moves on a dime from blistering, psychedelic squalls of sound to complex improvisations, and Sykes' pummeling drums, partly inspired from his study of Sri Lankan percussion. Not for the faint of heart, Home Is the Sun is an exhilarating sonic journey of mind-blowing proportion. Check out this free song download off Other Music Digital of "Spindle Phase," courtesy of Porter Records.
 
         
   
   

 

 

     
 

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  SUN AIRWAY
Soft Fall
(Dead Oceans)

"Close"
"Soft Fall"

With their sophomore full-length, Sun Airway takes their blissed-out indie-electro to a whole new celestial plane. The Philadelphia band's kaleidoscopic cloud of synthesizers and beats still shimmer and pulse around singer Jon Barthmus' infectious melodies, but the production is far richer than 2010's Nocturne of Exploded Crystal Chandelier, augmented by string arrangements which are cut-up and re-edited into a swirl of orchestration making for an album that's both heady and uplifting -- perfect for dancing with your eyes wide shut.

 
         
   
   

 

 

     
 

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  REGAL DEGAL
Veritable Who's Who
(PPM)

"Not Mired"
"Thankless"

A solid debut from these onetime Brooklynites who headed west to Los Angeles and subsequently landed on Dean Spunt's PPM label. The vocals of singer/guitarist Josh da Costa have a detached Colin Newman (Wire) thing happening, and you can certainly detect lots of arty post-punk influences brewing in the music -- though the recording has a pretty cool, slightly psychedelic warble to it -- with lots of taut guitars jangling, linear Kraut-like propulsion and a sense of minimalism that most bands just don't get these days.

 
         
   
   

 

 

     
 

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  MAJEURE
Solar Maximum
(Temporary Residence)

Preview Songs on Other Music's Download Store

Second Majeure full-length finds Zombi's A.E. Paterra taking a slight detour from the space-disco influences of 2009's Timespan, and venturing into more cinematic, cosmic territories. Solar Maximum ebbs and flows throughout, from the 11-and-a-half-minute Blade Runner-esque title track that drifts over a trance-inducing bed of arpeggiating synthesizers for its first half until drums enter and rocket the song into deep space, to the blissed ambience of the closer. There's no denying the reference points -- John Carpenter, Giorgio Moroder, Tangerine Dream, Vangelis -- but Paterra assimilates them all into a well-crafted and nicely varied excursion that fans of the aforementioned and contemporaries like Jonas Reinhardt, the Italians Do It Better family, the Drive soundtrack, etc., will want to check out.

 
         
   
       
   

 

 

     
 

$27.99
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  VARIOUS ARTISTS
Bollywood Steel Guitar
(Sublime Frequencies)

Now on vinyl, this out-and-out mindbending collection from Sublime Frequencies featuring Bollywood songs circa 1962-86, organized chronologically and all featuring the steel guitar. Indian musician Van Shipley invented an eight-string slide guitar in order to capture, as the liner notes state, a specific drone he heard in his head. What followed is pure musical mayhem, the product of complete cultural miscegenation ... you'd swear it was a Mexican conjunto band going Hawaiian surf crazy and delving into Japanese "group sounds" on the collection's earlier offerings, to full-on freak fuzz grooves by the time 1973's "Manja Re," by Charanjit Singh, passes by. Two bonkers discofied synth numbers close out the collection, upping the insanity levels exponentially. You've no doubt gone through a few Indian soundtrack collections focusing on breaks and bad-ass vibes before, but very few that have dealt with a specific instrument in play, let alone any as infectiously mental as this one. So highly recommended. [DM]
 
         
   
       
   

 

 

     
 

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  WOO
It's Cosy Inside
(Yoga)

"Downtoan Suburbia"
"No More Telly"

Woo were (and remain, as they are allegedly still active) a duo of brothers Mark and Clive Ives, who started recording during the halcyon days of the UK post-punk/indie underground ("It was cheap, it was easy, go and do it!...") and first pressed up a debut, Whichever Way You Are Going, You Are Going Wrong in 1982. That LP sketched out their modus of burbling synth lullabies and tape loop divination mixed with soft acoustic flourishes from guitar, clarinet, and violin, but it is on the follow-up, 1989's It's Cosy Inside, where the group really delivers.

On It's Cosy Inside, the Ives brothers create a hypnotic fusion of what can most easily be described as a mixture of Cluster jamming with Jimmy Giuffre circa Free Fall, or perhaps the Penguin Cafe Orchestra overrun by a cyborg cult; light rhythm beds anchor gentle, spectral clouds of electronically treated acoustic instruments, creating soft etudes akin to recent reissues like Roedelius's two Selbstportrait volumes, or even a bit of Durutti Column at times. This LP has been namechecked by Nite Jewel as one of her all-time favorite instrumental electronic albums, and it's easy to hear why; the mix of German synthetic expressionism with a post-hippy new age sensibility is pretty much the core of what makes Nite Jewel's own albums so distinct, and this is probably the most pure, distilled document of that modus you're bound to hear. One can also hear the roots of Kompakt's Pop Ambient series taking effect, not to mention the odd bit of Eno, and a hint of chillwave, if you still care about that sort of thing. It's remarkable how much this record has seemed to preface quite a lot of independent pop music from the past year or two that has received high accolades. Do yourself a favor and pick up this key document; it's one of the most dreamy, intoxicating albums you'll discover this year, I guarantee you that. [IQ]

Also in stock on CD ($13.99) and LP ($17.99)

 
         
   
   

 

 

     
 

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  TWO FINGERS
Stunt Rhythms
(Big Dada)

"Defender Rhythm"
"101 South"

Brazilian-born producer Amon Tobin has been breaking beats since the mid-'90s, and through the years he has created some the most elastic and mind-twisting rhythms that the electronic scene has heard. For his latest, Stunt Rhythms, he updates his Two Fingers moniker, and has brought back the term "block rocking beats," crafting a diverse and modern album that, nonetheless, stands as a tribute and love letter to classic hip-hop. Last year's Two Fingers debut was a collaboration with producer Doubleclick and featured vocals from UK rapper Sway, but here Tobin takes the solo and instrumental route. Though his work usually has more to do with drum-n-bass, on Stunt Rhythms Tobin goes B.A.L.L.I.S.T.I.C. with a tight excursion into big beat, grime, crunk, electro, and of course hip-hop. Using his excellent sound design skills, he crafts fourteen big room bangers filled with thick and heavy bass lines, smeared synths, and a weighty amount of bottom-heavy drums. Incorporating the dense soundscapes that are more characteristic of bro/dubstep, he slows the beats down to a hip-hop marching stride and brings in the deep funk. From the opener, "Stripe Rhythm," the beats just keep on coming with a steady and energized assault to the eardrums -- these are some of the toughest, freshest, and loudest rhythms I've heard in awhile. Fans of the heavier side of beat makers like Hudson Mohawke, Lunice or Rustie will find lots to nod their head and gyrate their limbs to. If you are looking for a nonstop, high-energy soundtrack to get you through, this album will leave you exhausted, or ready to conquer the world. It's good either way. Download includes seven bonus tracks featuring vocals from Peedi Crack, Lady Pharroh, Chinko da Great, and Brefontaine. [DG]

Also in stock on Double-CD ($14.99)
 
         
   
       
   
         
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THIS WEEK'S CONTRIBUTORS

[BCa] Brian Cassidy
[ACo] Anastasia Crisis
[PG] Pamela Garavano-Coolbaugh
[DG] Daniel Givens
[GH] Gerald Hammill
[IQ] Mikey IQ Jones
[JM] Josh Madell
[DM] Doug Mosurock
[CPa] Chris Pappas



THANKS FOR READING
- all of us at Other Music

 
         
   
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