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   October 25, 2012  
       
   
     
 
 
FEATURED NEW RELEASES
Tamaryn
Peace
Alfonso Lovo
Paul Banks
Terror Danjah
Ray Stinnett
Titus Andronicus
MellowHype
Rites of Spring
Mark Fell
Songs of Gay Liberation
 
ALSO AVAILABLE
The Haxan Cloak
Vatican Shadow
Matmos
Dan Friel
Benjamin Gibbard
Black Marble

BACK IN STOCK
Eraserhead OST LP


All of this week's new arrivals.
Follow us on Facebook: facebook.com/othermusicnyc
Follow us on Twitter: twitter.com/othermusic

 
         
   
   
   
   
   
       
   
 
 
OCT Sun 28 Mon 29 Tues 30 Wed 31 Thurs 01 Fri 02 Sat 03




  OPENING RECEPTION: DC BY BERT Q
Well before we captured him and chained him to a computer in our back office, Other Music's own Bert Queiroz was musician and photographer on the iconic DC punk scene -- his photos have graced many a Dischord sleeve -- and he has a deep archive of amazing photographs of all of the Capital City's best bands from the '80s and early '90s. Please join us for a rare public show of this trove, including many never-before-seen photographs.

RECEPTION: TUESDAY, OCTOBER 30 (8-10 p.m.)
SAGE BROOKLYN: 299-301 Graham Ave, Brooklyn
Showing October 30 through January 31

     
 
   
   
 
 
OCT Sun 28 Mon 29 Tues 30 Wed 31 Thurs 01 Fri 02 Sat 03




  SMASHING PUMPKINS TICKET GIVE AWAY
There's a lot to get your head around here -- Smashing Pumpkins in 2012, the new Barclays Center in Brooklyn, and don't forget, it's Halloween! But, in the end, all that really matters is that you know you want to be there, and we have a pair of tickets to offer. Email giveaway@othermusic.com for your chance to win.

WEDNESDAY, OCTOBER 31
BARCLAYS CENTER: 620 Atlantic Ave, Brooklyn

     
 
   
   
 
 
NOV Sun 28 Mon 29 Tues 30 Wed 31 Thurs 01 Fri 02 Sat 03


  WIN TICKETS TO SQUAREPUSHER
Is there anything else we need to say? Squarepusher, Bonobo (DJ Set), Holy Fuck and Mount Kimbie, a cross-section of cutting-edge electronica from both the old guard and the young guns, and we have a pair of tickets for one lucky fan! To enter for your chance to win, email: tickets@othermusic.com.

THURSDAY, NOVEMBER 1
TERMINAL 5: 610 W. 56th St. NYC

     
 
   
   
 
 
NOV Sun 28 Mon 29 Tues 30 Wed 31 Thurs 01 Fri 02 Sat 03


  AARON DILLOWAY & JASON LESCALLEET CONTEST
Almost anything sounds transcendent at this wonderful Bushwick arts center in a former Lutheran cathedral, but this show, featuring Aaron Dilloway (a founding member of Wolf Eyes) and modern noise/minimalist Jason Lescalleet, plus DJ Dave Quam, is certain to mesmerize. Heavy, heady stuff, and we have a pair of tickets to give away and all you have to do to enter is email enter@othermusic.com.

SATURDAY, NOVEMBER 3
ST. MARK'S LUTHERAN SCHOOL: 626 Bushwick Ave, Brooklyn

     
 
   
   
   
   
   
       
   

 

 

     
 

$9.99
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  TAMARYN
Tender New Signs
(Mexican Summer)

"I'm Gone"
"Prizma"

I started to get worried when I read quotes from Tamaryn's eponymous singer in which she spoke of moving away from the heavy stone(d) guitar wash of The Waves. But after listening to her band's latest, Tender New Signs, I breathed a sigh of relief. I personally loved the chilly, glacier rock of the aforementioned debut album, and yet the difference here is an added confidence in her lyrics and vocal performances. No longer hiding behind sheets of reverb, she comes across like a less menacing Toni Halliday (Curve). The My Bloody Valentine and early Verve comparisons aren't going to go away any time too soon, but there is also a romantic fragility to some of the tunes, allowing Tender New Signs to be vulnerable in a way that The Waves wasn't. "Heavenly Bodies" is probably Tamaryn's most fully realized song, a hazy, ascending tribute to stargazing that's about as close to upbeat that you're probably gonna get -- or want -- from this band. Like Dum Dum Girls, there's a distinct femininity emanating from the allure, which is in stark contrast to the ambiguous sexual nature of the music from most of their heroes (MBV, Cocteau Twins, Xymox), making Tender New Signs the perfect soundtrack to the long, cold winter nights ahead. Recommended! [DH]

 
         
   
   

 

 

     
 

$13.99
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  PEACE
The World Is Too Much with Us
(Suicide Squeeze)

"Your Hand in Mine"
"The Perp Walk"

Brooding post-punk revivalists Peace released their sophomore album on Washington's Suicide Squeeze and, I have to say, how did I miss the first record from these guys? The World Is Too Much With Us has been on rotation for days now. Yes, it's an album of infectious, skewed modern post-punk that owes much to the Fall as well as Wire, Joy Division and more current bands like Eddy Current Suppression Ring, but it's also more than that. Hailing from Vancouver, Peace are one of those bands that create mood as much as they do music; the sonic space they operate within has a mercurial, hypnotic air that's a byproduct of the restraint and Krautrock-like repetition present in their songwriting. Opener "Your Hand in Mine," perhaps the most upbeat, pop-oriented track on the album, has lyrics that are just as beautiful as they are sad; still, the tempos here always keep things moving forward, with catchy, chugging guitar hooks and driving bass lines paving the way for the following songs. In fact, some of the album's most charming moments are indebted to the band's rhythm section, with Mike Willock's nimble guitar work constantly playing off of the bands' tight, pounding rhythms and energetic bass playing. That's probably most true on "The Perp Walk," my favorite track on the album, where singer Dan Geddes most channels the dark, monotone of Mark E. Smith over cutting guitars and a great, melodic bass line. The rest of the record continues in that tradition, with Geddes' voice consistently weaving in and out of each song in an almost poetic way, and by the end of the 34 minutes of The World Is Too Much With Us, each track has left a definite mark instead of blurring away in today's wash of haze. [PG]

 
         
   
   

 

 

     
 

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  ALFONSO LOVO
La Gigantona
(Numero Group)

"La Bomba De Neutron"
"Firebird Feathers"

Numero kill it again with this heretofore completely undiscovered artifact of blissed-out tropical space jazz circa mid 1970s from Alfonso Lovo, a guitarist-composer forced into exile by the Sandinista rebels during Nicaragua's greatest period of political turmoil. Having survived the hijacking of an airplane and the indignity of actually being shot in the hand that he played guitar with, Lovo would persevere to create La Gigantona, a fascinatingly unique stew of electric-period Herbie Hancock, Latin rock, jamming percussion, disorienting electronic effects and squiggly synth patterns. Opening with the solo flamenco guitar derived piece "Nueva Segovia," Lovo carefully begins to telegraph the subversion he's about to drop on the segue into "La Bomba De Neutron," an at first almost conventional seeming mid-tempo Latin rock number that slowly erupts with synth glissandos and spatial, almost dub-like sound effects that most effectively fries neurons even as the unstoppable rhythm-sections continue to relax your body. It's a brilliant combination, and one that Lovo repeats to varying degrees and patterns effectively throughout the entire album, resulting in a work that feels wholly unique. If you've ever dreamed of what Sun Ra at his most accessible might have sounded like had he recorded for Fania, then look no further. [MK]

 
         
   
   
   
   
   
   

 

 

     
 

$13.99
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  PAUL BANKS
Banks
(Matador)

Preview Songs on Other Music's Download Store

If the Interpol singer's solo debut as Julian Plenti was a fairly slight affair, Paul Banks steps from behind the curtain and delivers a nice dose of the power we know he holds on Banks, his second solo full-length, and first under his given name. At moments, like on the deep inhale of lead single "The Base," this could be Interpol with a less rigid and more "modern" production aesthetic (in fact the record was produced by Interpol collaborator Peter Katis). The textures shift a bit more, the guitars don't ring with quite the same clarion, and the rhythms are often less organic sounding, but Banks is a soaring and darkly engaging album that should appeal to fans of the iconic band. It's always hard to know if we want our favorite frontmen to do something completely different, or exactly the same, when they forge out of the cocoon of their established bands, but here Banks splits the difference nicely. [JM]
 
         
   
   

 

 

     
 

$19.99
CD

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$25.99 LPx2

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$9.99 MP3

Buy

  TERROR DANJAH
Dark Crawler
(Hyperdub)

Preview Songs on Other Music's Download Store

Producer Terror Danjah continues to showcase his new love for rhythm and grime on his latest full-length, Dark Crawler. Much like his contemporaries Joker, Wiley or DVA, Terror Danjah has been on a mission to merge urban pop's swagger into his post-garage, beyond-dubstep, jungle-remembering production work. Across the 14 tracks here, TD jumps, wiggles, dives, drops and pounds his way around ten different singers and rappers, including Trim, Champion and Ruby Lee Ryder. He weaves the record together like his mixtapes, with sonic themes repeating throughout; the trademark gremlin laugh is still in effect yet used a bit more sporadically, leaving more room for his soca-flavored syncopation and hot-wired arcade game funk. TD's strength is in the tightness of his grooves, the deepness and punch of his bass, and the steadiness of his stride. This one does not strike me as an instant classic -- it's better than his 2010 Hyperdub release Undeniable, but not as good as his defining Planet Mu collection, Gremlinz. The once militantly-underground grime scene has been attempting to cross over from pirate radio to Top of the Pops for a while now, mainly by incorporating more vocalists, yet despite a few great singles, it's been a difficult balance to strike, especially across a full-length. Dark Crawler may truly be strongest when the producer is home alone, but there are moments throughout where the guests and the grooves gel perfectly and it all clicks. [DG]

 
         
   
   

 

 

     
 

$15.99
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  RAY STINNETT
A Fire Somewhere
(Light in the Attic)

"You Make Me - Feel"
"Stop"

In 1965, Memphis-reared 21-year-old guitarist Ray Stinnett hit gold with Sam the Sham & the Pharaohs, whose "Wooly Bully" went on to become the top-selling record of that year. As one was wont to do in the 1960s, Stinnett subsequently dropped out and went to dig and dose himself down on Haight-Ashbury, expanding his mind and putting that rock'n'roll past into his rearview. By 1971, he returned east and set about recording a solo album for A&M. He handed in the record, had the artwork already to go and when informed that the label would make him a huge star, Stinnett balked and took his tapes back. Some 40 years later, the finest reissue label working today, Light in the Attic, carefully draws Stinnett's A Fire Somewhere out into the daylight. And what a doozy it is, Memphis gritty, California-infused, funky and aware and a lost treasure. Fans of Big Star and Gene Clark and the like would do well to dig into this one. [AB]

 
         
   
   
   
   
   
   

 

 

     
 

$13.99
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  TITUS ANDRONICUS
Local Business
(XL)

Preview Songs on Other Music's Download Store

Titus Andronicus are a lot harder to pigeonhole than the roar of their sweaty bar rock would first imply. They are Jersey all the way, gritty, loud, raw-throated and decidedly working class, but while it would be easy to call them the indie-punk Springsteen, or maybe the new American Clash (and 2010's epic, seam-splitting breakthrough LP The Monitor their The River, or London Calling), their songs are often too linear and chorus-free to draw a direct line to those radio-friendly forbearers, and mainman Patrick Stickles' literary schoolyard taunts are all his own. Local Business steps away from the overarching themes, brash orchestration and stacked guest list of the last album, stripping back to their live fighting weight. In fact, only Stickles and drummer Eric Harm remain from the last studio sessions, with a trio of new guitarists filling the ranks, and the arrangements, though still wandering and sometimes counter-intuitive, largely keep the big ideas lyrical rather than musical. Which is a roundabout way of saying that Local Business rocks out like this band always has live on stage, diving in 100% from the get-go, and then turning it up some. Brawny, loose-lipped and idealistic, Local Business is unadulterated Titus Andronicus, and though it won't change any minds, fans should patronize for certain. [JM]

 
         
   
   

 

 

     
 

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  MELLOWHYPE
Numbers
(Odd Future)

"Astro (feat. Frank Ocean)"
"Nfwgjdsh"

From the Odd Future camp comes a new album by two of its core members, Left Brain and Hodgy Beats, b/k/a MellowHype. Since their previous full-length, BlackenedWhite, was really a re-packaged version of their self-released album with a few bonus tracks, Numbers feels more like their proper main stage debut. Their chosen duo name fits this project perfectly; Left Brain's beats are laidback while most of the lyrics/delivery are what I would refer to as hype(r). With a dark and rowdy attitude that feels like they've been hanging out at the Headbangers Ball, Numbers is filled with black metal's energetic angst, hip-hop's thick speaker-in-the-trunk bass resonance, lots of spinning synthetic cymbals, and the now to be expected use of some serious foul language. Subtle and subversive singsong and spelled-out choruses give the album a tribal mosh pit atmosphere. With sharp deliveries, dry wit, and a firm grip on the "filth is fun" mindset that plagues much of the current school of up-and-coming hip-hop acts, it mostly feels like they are rapping for rap's sake, rarely aiming to give the listener anything to really absorb -- a bit more boasting style than substance overall. As such, the production work of Left Brain is probably more valuable than the lyrics that run amuck on top, and Numbers is filled with enough moody mid-tempo backdrops to make the Weeknd a lil' jealous, though they seem at times a bit too mellow to hold the weight of the fevered MC. MellowHype have a needed place within the OF collective, and two of the album's best songs feature guest spots from team members Frank Ocean and Earl Sweatshirt. Yet within the larger hip-hop universe, MellowHype may be coasting along on a dark cloud, in search of a mission. [DG]

 
         
   
   

 

 

     
 

$7.99
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10"+MP3

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  RITES OF SPRING
Six Song Demo EP
(Dischord)

"Remainder"
"Hains Point"

Although the DC scene is probably the best documented hardcore scene ever, there are still gems like this that have not yet been unearthed, and hopefully many more yet to come. As a teenager I was fairly obsessed with Dischord Records, and I couldn't begin to count the hours I logged listening to Rites of Spring's End on End, a blueprint for how you could keep the energy of hardcore but leave the musical and social straightjacket aspects of it behind. And once again the Dischord archival series delivers the goods with Rites of Spring's Six Song Demo. Evolving out of the sorely undocumented band Insurrection, featuring several DC mainstays including future Fugazi members Guy Picciotto and Brendan Canty as well as Mike Fellows and Eddie Janney, this material was recorded before the group ever played a show (or even had a name), with Fellows' impending departure for college effectively numbering their days. (Check out the Beatles-inspired "Mike Fellows is dead" buried at the end of "By Design.") The six tracks here, all later re-recorded for End on End, are amazingly full-formed for a band that had not yet played live. Make no mistake about it, the album versions are superior in pretty much every way, so this is a fans-only offering and it is understandable that this was never officially issued until now -- but if you are a fan like I am, it is fantastic to have it properly released at last. If you've never heard Rites of Spring do yourself a favor and pick up End on End; everyone else, however, should get this right now. [DMa]

 
         
   
   

 

 

     
 

$15.99
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$29.99 LPx2

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$9.99 MP3

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  MARK FELL
Sentielle Objectif Actualite
(Editions Mego)

Preview Songs on Other Music's Download Store

Recently, Vienna's Editions Mego label not only revived themselves but branched out, to where one could follow the heavy releases curated by Sunn O)))'s Stephen O'Malley to the modern and vintage koscmishe of Emeralds' John Elliott on the Spectrum Spools imprint to the divine reissue project from France's INA-GRM studios. But there was another sub-label as well, a series of blank 12"s under the heading of Sensate Focus. Turned out to be the efforts of SND member Mark Fell and they now convene (in slightly re-worked fashion) as the full-length Sentielle Objectif Actualite. Evocative of the austere, aurally-honed experiments of Mika Vainio (under his Ø moniker) and early 21st century explorations by Carsten Nicolai (as Alvo Noto) and the Raster-Noton imprint, this is electronic beat music at its most reductive, whittle to needle-pointedness and small pools of melodicism. [AB]

 
         
   
   
   
   
   
   

 

 

     
 

$9.99 MP3

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  VARIOUS ARTISTS
Strong Love: Songs of Gay Liberation 1972-1981
(Chapter)

Preview Songs on Other Music's Download Store

Wow, here is a completely phenomenal and important compilation that came out earlier this year that totally flew under our radar (hat-tip to our friend Chris at Fusetron Sound for pointing it out). Strong Love (Songs of Gay Liberation 1972-1981) chronicles a diverse array of tunes that deal explicitly with gay identity following the upheaval and burgeoning political consciousness unleashed by the famed Stonewall Riots just a few years previously. Comprised of equal parts protest music and deeply heartfelt personal statements, Strong Love captures a wide swath of the sounds of the time, from earnest loner folk, off-kilter funk, low-key soul, bedroom new wave to junkshop glam. Some highlights include Mike Cohen's "Evil & Lusty," a startling, frank Leonard Cohen-esque meditation on the performer's dual nature for which he refuses to apologize; Conan's "Tell Ol' Anita," which, despite its somewhat dated reference to Anita Bryant, remains depressingly relevant today, as he has to remind her that it was Jesus who said "Judge not lest ye be judged"; the insanely catchy lo-fi power-pop/glam stomp of falsetto-voiced Chris Robison's "Big Strong Man in My Life"; and the anthemic country ballad "Cryin' These Cocksucking Tears" by Lavender Country. Needless to say, this is not music that was widely heard by the mainstream and has been too long hidden until now, and as such comes highly recommended. [MK]

 
         
   
       
   

 

 

     
 

$17.99
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  THE HAXAN CLOAK
The Haxan Cloak
(Aurora Borealis)

Just in: anticipated debut full-length from the Haxan Cloak, a mysterious UK producer who casts a similar black magic spell as fellow British sonic alchemists like Mordant Music, Shackleton, Demdike Stare, and American drone sorcerers KTL, assembled from stark ritual percussion, woozy swells of strings and deep bass pulsations. Full review next week.

 
         
   
   

 

 

     
 

$22.99
LP

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  VATICAN SHADOW
Ornamented Walls
(Modern Love)

Brand new missive from Dominick Fernow (Prurient, Ash Pool, Cold Cave and Hospital Records), featuring some of the heaviest and most severe material from his Vatican Shadow guise to date, utilizing live mix rehearsals of the Operation Neptune Spear EP plus 25 minutes of unreleased work. Look for a full review next week.

 
         
   
   

 

 

     
 

$13.99
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  MATMOS
Ganzfeld EP
(Thrill Jockey)

"Very Large Green Triangles (Edit)"
"You (Rrose Mix)"

With a new home on Thrill Jockey, Matmos offer up a three-song EP centered around the concept of telepathy, inspired by ganzfeld-type experiments that Drew Daniel and M.C. Schimdt conducted on friends and strangers. Each participant was placed in a relaxed state of sensory deprivation, lying on a mattress with eyes covered by goggles made from halves of ping-pong balls and white noise broadcasting through their headphones. In a room downstairs, Daniels attempted to transmit the idea of a new Matmos record via ESP, while the subject simultaneously described what they were thinking and hearing in their mind. These video-taped sessions took place over four years, culminating in the duo transcribing hours of recordings and then re-enacting the phrases of humming, speaking and various actions and sounds that their subjects produced and described, and then forming songs from this material. The resulting EP is as diverse, fun and head-scratching as any Matmos fan could hope for, featuring two tracks based on these experiments -- the quirky, bouncing electronic pop of "Very Large Green Triangles (Edit)" and "Just Waves," an almost 13-minute-long avant-garde choral piece built from dizzying layers of voice from Daniels and Schmidt, Dan Deacon, Dirty Projectors' Angel Deradoorian and Clodagh Simonds of Fovea Hex -- plus a remix of Matmos' forthcoming "You" by Sandwell District's RRose, who transforms the original track into a dark, minimal techno banger.

There are also deluxe 12" and CD editions available, which come with special artwork, Incase Sonic Over Ear Headphones, a 6.5" x 6.5" Matmos sticker, a Ganzfeld certificate signed and numbered by the duo, custom Ganzfeld goggles and more. Email orders@othermusic.com for more details or to place your order.
 
         
   
   

 

 

     
 

$13.99
12"

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  DAN FRIEL
Valedictorian/Exoskeleton
(Thrill Jockey)

Dan Friel's first release for Thrill Jockey finds the Parts & Labor founder offering two new cuts: "Valedictorian," which isn't too far off from the throbbing, ecstatic anthems that his former band created, with distorted, joyous synths careening over a hyper drum machine rhythm, followed by the foreboding "Exoskeleton," which features some haunting viola work from Anti-Social Music collaborator Karen Waltuch. Also includes remixes from Moss of Aura and Peaking Lights. Look for Dan Friel's new full-length, Total Folklore, out in February of 2013.

 
         
   
   

 

 

     
 

$14.99
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$16.99 LP

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$9.99 MP3

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  BENJAMIN GIBBARD
Former Lives
(Barsuk)

Preview Songs on Other Music's Download Store

Death Cab for Cutie started as a solo project, and All Time Quarterback was just Ben Gibbard all by his lonesome too, but this is the first album the singer has under his own name, and appropriately, Former Lives comes off as Gibbard's most mature and personal record to date. It's a well-constructed singer-songwriter affair, more reserved perhaps than his stock in trade, still a tad morose, still sadly introspective, still biting when he thinks he's been wronged -- still Ben Gibbard, but now he's Benjamin.

 
         
   
   

 

 

     
 

$11.99
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  BLACK MARBLE
A Different Arrangement
(Hardly Art)

"Cruel Summer"
"Static"

We would say that if you are planning on making a modern version of a Joy Division record, there are two ways you can go without coming off like a hack: either you take it really dark and violent, or you take it pop. Brooklyn's Black Marble choose the latter on their enjoyable new full-length, a mopey, dreamy, soulful concoction full of melody and emotion, adding some nice live instrumentation to the more strictly synthy stuff the band has released before. It's not breaking any new ground, but it feels good to get lost in.

 
         
   
       
   

 

 

     
 

$31.99
LP+45+Booklet

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$9.99 MP3

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  DAVID LYNCH & ALAN R. SPLET
Eraserhead OST
(Sacred Bones)

Preview Songs on Other Music's Download Store

This deluxe reissue of the soundtrack to hugely influential director and multimedia artist David Lynch's first full-length feature, Eraserhead, is a stunning tribute not only to the man's unique, dark vision, but also to that of his longtime sound designer Alan Splet. Music and sound design have always played central roles in establishing the distinct atmospheres of Lynch's environmental portraits, but this record in particular is a stunning, gorgeous, dystopic world of industrial noise, beautiful dronescapes, and haunted organ melodies. There is no traditional score per se -- Lynch has explained that when they first released the soundtrack on LP in the late-'70s, they really had no idea exactly how to do such a thing; as a solution, they simply removed all parts of dialogue from the film's sound reel, edited down the audio vérité into manageable sidelong "suites," and left it at that. The sounds documented in turn create an environment that's meant to be fully lived in and immersed into. It's old news that many artists have cited Lynch to be a profound influence on their own work, almost to the point of parody at times, but there has been a keen resurgence as of late for the same sorts of simultaneous marriages which find romance in bleak, shadowed corners of the mind and heart, so wonderfully executed in sound by the likes of Leyland Kirby and the Modern Love record label, right down to the likes of recent black-hearted nostalgic crooners like Dirty Beaches and Daughn Gibson.

Sacred Bones really pulls out all the stops here, the soundtrack wonderfully remastered with a large booklet, art prints, and a bonus 7" featuring the infamous "In Heaven (Lady in the Radiator Song)" once covered by artists like Pixies, Bauhaus, and Sacred Bones siren Zola Jesus, who has recently seen one of her songs remixed by Lynch himself, bringing everything full circle. The real delight for hardcore fans and completists, though, is the b-side of said single, which features a previously unheard song titled "Pete's Boogie," co-written by Peter Ivers, who also authored and performed the music for "In Heaven." As someone who owns the original pressing of this album, I've got to say, this reissue blows it out of the water; it gives the film, the soundtrack, and its creators the respect it deserves without pandering in condescending manners, and helps reestablish the importance of this work as truly influential beyond the cult midnight movie world. Many of you saw this listing and probably already placed it in your shopping cart, but take it from someone who has spent his entire adult life hearing people throw Eraserhead and David Lynch references his way (anyone who has seen my hair will know exactly to what I'm referring... it's a blessing and a curse. Lynch, you owe me a drink someday) -- you want this. Absolute highest recommendation! [IQ]
 
         
   
   
   
   
   
       
   
         
  All of this week's new arrivals.

Previous Other Music Updates.

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THIS WEEK'S CONTRIBUTORS

[AB] Adrian Burkholder
[PG] Pamela Garavano-Coolbaugh
[DG] Daniel Givens
[DH] Duane Harriott
[IQ] Mikey IQ Jones
[MK] Michael Klausman
[JM] Josh Madell
[DMa] Dave Martin




THANKS FOR READING
- all of us at Other Music

 
         
   
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